A local theatre group in Norwich. The auditorium features raked seating on three sides of an open acting space. This unusual staging helps to draw the audience deeply into the performance. Please note: these reviews come from a wide variety of audience members, including active members of the Sewell Barn community. Where we have received reviews from committee members this is stated against their reviews.
Sunday, 13 May 2018
New season 2018-19
Full details will be posted on our website very soon, together with audition notes, but in the meantime, here is a brief precis of the 2018-19 season at the Sewell Barn.
11-20 October 2018
Handbagged by Moira Buffini
Dir: Clare Williamson
22 November-01 December 2018
Not About Heroes by Stephen MacDonald
Dir: Rob Tiffen
10-19 January 2019
These Shining Lives by Melanie Marnich
Dir: Jess Hutchings
21 February-02 March 2019
Confusions by Alan Ayckbourn
Dir: Angela Rowe
28 March 2019-06 April 2019
Faustus by Christopher Marlowe
Dir: Chris Bealey
02-11 May 2019
The Children by Lucy Kirkwood
Dir: Peter Wood
06-15 June 2019
Yerma by Federico Garcia Lorca
Dir: Phillip Rowe
11-20 July 2019
Waiting in the Wings by Noel Coward
Dir: Cassie Tillett
In addition, we are delighted to host two special evenings 'for one night only':
25 October 2018
Broad Horizons Theatre Company presents
Rebellious Sisterhood - Votes for Women
9 March 2019
Paddle Fast presents
Music at the Barn
We hope you agree that it's an exciting and varied season, encompassing the familiar and the unknown, the merry and the tragic, the classical and the contemporary, casts large and small, and with performing opportunities for a very wide age range.
If you would like to volunteer to support the theatre in any way - backstage, front of house, stage design and construction, technical, costumes, rehearsal prompts or administration - please do contact us on admin@sewellbarnorg.
#supportlocaltheatre #norwich #theatre
Friday, 11 May 2018
Romeo and Juliet
As the director of this show, Carole Lovett, has said in our programme: "It has been estimated that at any moment of any day somewhere on our planet a performance of will be taking place. This popularity and the seeming familiarity that everyone has with the characters and the plot is a two-edged sword. On the one hand it evokes a very positive response from the general public, but on the other hand, how does any new interpretation keep the story fresh and new?"
Our production sets the iconic tragedy in the present day. Lord Capulet and Lady Montague are rival political candidates. The weapons are not swords but fists and knives. And (as Carole goes on to say), "The tragedy of the human existence is not dependant on historical context and we all have a lot to learn from Shakespeare's study of how precious and fragile are the younger members of our society and of how they should never be ignored or taken for granted. We should always listen and we should always care."
We are particularly proud of this show, with sixteen actors of a wide variety of age and experience, including several very young and highly talented performers. From the very first night we have received some wonderful reviews - do come and see for yourself.
"Last night I made a late decision to go and see Romeo and Juliet at the Sewell Barn Theatre and I am mighty glad I did. It is such a well known story with so many versions of it around that it was an absolute pleasure to watch a production that felt so fresh and had such energy in it. I certainly don't remember laughing so much during a performance of this piece before but the cast have clearly worked hard on getting to know and understand the script and have found real humour in places. That isn't to say the show is played for laughs, far from it, it is well balanced and still packs a hefty punch. The stage was used to full effect including a twist on the classic balcony scene. A strong ensemble cast with particularly memorable performances from Mercutio, the Nurse and the Sister, but the stars of the night were young Juliet and Romeo with such well portrayed characters that you really believed in, cared for and were heart broken for. Well done to all involved! Go see this show, people..." Matt S
"It was totally amazing... I now know the story of Romeo and Juliet as I didn't til I went to the Sewell Barn... A brilliant performance all round but especially from Juliet... I've never seen so much passion go into a performance." Elaine P
"What a fantastic production of Romeo and Juliet this evening - both Jo and I thoroughly enjoyed the play, it was absolutely brilliant and had so much unexpected humour, I hope you heard my laughter. Please tell all of the cast how much I enjoyed the production and I thought the standard of acting was ‘first class’ - well done to everyone." Sonya B-M
"It was FANTASTIC!!! And I’m honestly not just saying, but I think that’s the best production of Romeo and Juliet I’ve ever seen, and I’ve seen it with the RSC twice." Hana H
"Fantastic! Absolutely enthralling from start to finish with an exceptional cast!" Rachel M
"I had the loveliest evening. ‘Romeo & Juliet’ at the Sewell Barn was a lively, thrilling, ingenious and superb production..." Vincent G
"Just wanted to say how much we enjoyed the performance last night! Everyone was brilliant -- how you can all memorise that much Shakespeare I never know! I struggle learning my lines for an Ayckbourn, and there is no room for paraphrasing in Shakespeare! The students were all captivated. It is no mean feat to keep 50 Year 9s and 10s quiet, even a relatively civilised bunch like ours! Everyone I've spoken to today loved it. We will keep our eyes on your programme for future events." Melissa C - Cromer Academy
"Saw Romeo and Juliet last night and is by far my favourite production I’ve seen. Fantastic actors and great atmosphere. Brilliant evening!" Alexandra C
"Romeo and Juliet were amazing... and Mercutio. They stood out for me, Rebecca was delightful and gorgeous as Juliet as were the two young men. They really understood what they were saying which helped the audience. Loved the nurse too. Well done to all the cast and crew." Ruth H
"Congratulations to the cast and crew of Romeo and Juliet at the Sewell Barn Theatre. Well worth catching one of the final three performances if you can! A totally engrossing production, great teamwork and outstanding individual performances." Clare H
"Massive massive congrats to the team of Romeo and Juliet at Sewell Barn. Laughing one minute and crying the next.... Greg 's particular scene left me in complete tears clutching Megan-Alice' s hand hoping what we knew would happen wouldn't happen! And Romeo and Juliet, Charlie and Rebekah, the two of you were cute and so perfectly cast, again crying at the fate of your characters because you just want it to work out so much. Wonderfully judged performances, perfect understanding of the language and the characters making them entirely relatable and lovable in a modern setting. It was lovely to see a production that embraces the different nuances of the writing, bringing out the comedy and the tragedy of a beautiful piece of work giving it new life. Go and see it whilst you can!" Sabrina P
"Went to see Romeo and Juluet at the Sewell Barn tonight. Now I know I'm somewhat biased being Artistic director, and my fellow AD is in the show, but I've also seen a good few R &Js in my time and I can say in all honesty that this modern interpretation was one of the most believable and absorbing productions of this iconic play that I've ever seen.
Rebecca Oelrichs as Juliet set the tone perfectly, conveying the capriciousness and impetuosity of a 14 year old through totally truthful vocal and movement work and the balcony scene with Romeo above and Juliet below is a joy to behold.
Comedy is not always a word associated with R & J but it was beautifully conveyed by the ensemble in the first half, again through body language, tone and facial expression - showing evidence of great attention to detail throughout the rehearsal process. The fight scenes were powerful and painful, evoking the stark reality of death by knifings that is so common on the streets of London right now. Mercutio (played by Greg Arundell) was another highlight as we mourned his death after witnessing the energy and dynamism of his life.
But what made this production for me was the quality of the whole ensemble - from the actors to the backstage team, set designer and wardrobe all coming together to create an absorbing and powerful drama even though we all know the outcome. There are still seven performances so go and see this marvellous show!" Clare W [Joint Artistic Director]
"Romeo and Juliet last night was really rather wonderful. I don’t normally enjoy modern interpretations as I think they can get bogged down in trying to make the work fit the setting. But well done to all involved as this production certainly didn’t fall into that trap, the modern political themes, the condensing of roles and the modern costumes and really worked marvellously well. All performances were solid, with some people warming up into their roles (it was opening night after all!) but the 3 stand outs of the night truly were Rebekah Oelrichs, Greg Arundell and Charlie Skinner. Their vibrance, youthful dramatics and well thought through characterisation was really quite something to watch. Greg’s death scene really moved me, and in such a well known and over done monologue, that is no small thing!! The inclusion of knife crime elements really made this scene so much more harrowing and really pinned together the over arching theme of the folly of youth. The balcony scene. I mean. Beautifully directed and the PERFORMANCES it was such a rare treat to see subtle performances of such a delicate scene. They both really nailed this scene and it was magical having them on either side of the theatre with all that space between them. Such a wonderful tableaux." Megan R
"It happens to us all, if we are lucky, something about that face in the crowd grabs our attention and for a few moments the world stops. Dare we ‘risk all’ for a chance to get next to this vision?
For most of us all we really risk is the embarrassment and dejection of rejection, but that is enough to halt our amorous intentions. But when you are young and primed with passion and desire, even dare I say it ‘Love’, nothing is going to stop you, even the threat of Death.
But Fate plays dirty with this teenage couple, prompting from a friend brings them together, others support, encourage, this union hoping that it could even start to heal the tribal warfare between these families, like that’s going to happen!
But as we know this play so well, we don’t need the tragic denouement from the chorus, and the continuing portents of doom from the characters, Death stalks this play, and we know it too well.
Well! So why do we watch it?
Obviously, it’s in hope for a little bit of magic, a spark of chemistry between this iconic pair, and we are, very wonderfully, not disappointed. The couple together really do crackle.
Even separately these young actors show a grasp and familiarity with this sometimes archaic dialogue that is breath-taking. Showing such nuances of gesture and tone of voice that it seems the dialogue emerges from spontaneous thoughts, so we can understand the action in both the physicality and the language. This shows with the young men, Romeo bantering, and playful struggling with his friends, and, less playfully, enemies. They all make it look so easy, the language flows and action matching.
Juliet too shines, whether it’s in exasperated conversation with her nurse, or when no longer confined to her balcony she charges about the stage, swept up in the power of sudden love, William’s wonderful words are given even more power by her mastery of them. Romeo watches, appreciating this vision, no longer smitten by another, promising everything.
All the cast rises to the challenge of Shakespeare’s language making all the characters a delight to watch. Supporting and challenging the characters, the cast work wonderfully together, a super team effort, the ease belying the amount of effort involved to produce such a super production.
There’s lots of love and romance, some fun and laughter, tragedy and tears, as well as vicious fighting and slaughter. What more could you want from a special evening at the theatre?
Enjoy."Mark M
![]() |
| Photography: Barry Parsons |
We are particularly proud of this show, with sixteen actors of a wide variety of age and experience, including several very young and highly talented performers. From the very first night we have received some wonderful reviews - do come and see for yourself.
***
"Last night I made a late decision to go and see Romeo and Juliet at the Sewell Barn Theatre and I am mighty glad I did. It is such a well known story with so many versions of it around that it was an absolute pleasure to watch a production that felt so fresh and had such energy in it. I certainly don't remember laughing so much during a performance of this piece before but the cast have clearly worked hard on getting to know and understand the script and have found real humour in places. That isn't to say the show is played for laughs, far from it, it is well balanced and still packs a hefty punch. The stage was used to full effect including a twist on the classic balcony scene. A strong ensemble cast with particularly memorable performances from Mercutio, the Nurse and the Sister, but the stars of the night were young Juliet and Romeo with such well portrayed characters that you really believed in, cared for and were heart broken for. Well done to all involved! Go see this show, people..." Matt S
"It was totally amazing... I now know the story of Romeo and Juliet as I didn't til I went to the Sewell Barn... A brilliant performance all round but especially from Juliet... I've never seen so much passion go into a performance." Elaine P
"What a fantastic production of Romeo and Juliet this evening - both Jo and I thoroughly enjoyed the play, it was absolutely brilliant and had so much unexpected humour, I hope you heard my laughter. Please tell all of the cast how much I enjoyed the production and I thought the standard of acting was ‘first class’ - well done to everyone." Sonya B-M
"It was FANTASTIC!!! And I’m honestly not just saying, but I think that’s the best production of Romeo and Juliet I’ve ever seen, and I’ve seen it with the RSC twice." Hana H
"Fantastic! Absolutely enthralling from start to finish with an exceptional cast!" Rachel M
"I had the loveliest evening. ‘Romeo & Juliet’ at the Sewell Barn was a lively, thrilling, ingenious and superb production..." Vincent G
"Just wanted to say how much we enjoyed the performance last night! Everyone was brilliant -- how you can all memorise that much Shakespeare I never know! I struggle learning my lines for an Ayckbourn, and there is no room for paraphrasing in Shakespeare! The students were all captivated. It is no mean feat to keep 50 Year 9s and 10s quiet, even a relatively civilised bunch like ours! Everyone I've spoken to today loved it. We will keep our eyes on your programme for future events." Melissa C - Cromer Academy
"Saw Romeo and Juliet last night and is by far my favourite production I’ve seen. Fantastic actors and great atmosphere. Brilliant evening!" Alexandra C
"Romeo and Juliet were amazing... and Mercutio. They stood out for me, Rebecca was delightful and gorgeous as Juliet as were the two young men. They really understood what they were saying which helped the audience. Loved the nurse too. Well done to all the cast and crew." Ruth H
"Congratulations to the cast and crew of Romeo and Juliet at the Sewell Barn Theatre. Well worth catching one of the final three performances if you can! A totally engrossing production, great teamwork and outstanding individual performances." Clare H
"Massive massive congrats to the team of Romeo and Juliet at Sewell Barn. Laughing one minute and crying the next.... Greg 's particular scene left me in complete tears clutching Megan-Alice' s hand hoping what we knew would happen wouldn't happen! And Romeo and Juliet, Charlie and Rebekah, the two of you were cute and so perfectly cast, again crying at the fate of your characters because you just want it to work out so much. Wonderfully judged performances, perfect understanding of the language and the characters making them entirely relatable and lovable in a modern setting. It was lovely to see a production that embraces the different nuances of the writing, bringing out the comedy and the tragedy of a beautiful piece of work giving it new life. Go and see it whilst you can!" Sabrina P
"Went to see Romeo and Juluet at the Sewell Barn tonight. Now I know I'm somewhat biased being Artistic director, and my fellow AD is in the show, but I've also seen a good few R &Js in my time and I can say in all honesty that this modern interpretation was one of the most believable and absorbing productions of this iconic play that I've ever seen.
Rebecca Oelrichs as Juliet set the tone perfectly, conveying the capriciousness and impetuosity of a 14 year old through totally truthful vocal and movement work and the balcony scene with Romeo above and Juliet below is a joy to behold.
Comedy is not always a word associated with R & J but it was beautifully conveyed by the ensemble in the first half, again through body language, tone and facial expression - showing evidence of great attention to detail throughout the rehearsal process. The fight scenes were powerful and painful, evoking the stark reality of death by knifings that is so common on the streets of London right now. Mercutio (played by Greg Arundell) was another highlight as we mourned his death after witnessing the energy and dynamism of his life.
But what made this production for me was the quality of the whole ensemble - from the actors to the backstage team, set designer and wardrobe all coming together to create an absorbing and powerful drama even though we all know the outcome. There are still seven performances so go and see this marvellous show!" Clare W [Joint Artistic Director]
"Romeo and Juliet last night was really rather wonderful. I don’t normally enjoy modern interpretations as I think they can get bogged down in trying to make the work fit the setting. But well done to all involved as this production certainly didn’t fall into that trap, the modern political themes, the condensing of roles and the modern costumes and really worked marvellously well. All performances were solid, with some people warming up into their roles (it was opening night after all!) but the 3 stand outs of the night truly were Rebekah Oelrichs, Greg Arundell and Charlie Skinner. Their vibrance, youthful dramatics and well thought through characterisation was really quite something to watch. Greg’s death scene really moved me, and in such a well known and over done monologue, that is no small thing!! The inclusion of knife crime elements really made this scene so much more harrowing and really pinned together the over arching theme of the folly of youth. The balcony scene. I mean. Beautifully directed and the PERFORMANCES it was such a rare treat to see subtle performances of such a delicate scene. They both really nailed this scene and it was magical having them on either side of the theatre with all that space between them. Such a wonderful tableaux." Megan R
"It happens to us all, if we are lucky, something about that face in the crowd grabs our attention and for a few moments the world stops. Dare we ‘risk all’ for a chance to get next to this vision?
For most of us all we really risk is the embarrassment and dejection of rejection, but that is enough to halt our amorous intentions. But when you are young and primed with passion and desire, even dare I say it ‘Love’, nothing is going to stop you, even the threat of Death.
But Fate plays dirty with this teenage couple, prompting from a friend brings them together, others support, encourage, this union hoping that it could even start to heal the tribal warfare between these families, like that’s going to happen!
But as we know this play so well, we don’t need the tragic denouement from the chorus, and the continuing portents of doom from the characters, Death stalks this play, and we know it too well.
Well! So why do we watch it?
Obviously, it’s in hope for a little bit of magic, a spark of chemistry between this iconic pair, and we are, very wonderfully, not disappointed. The couple together really do crackle.
Even separately these young actors show a grasp and familiarity with this sometimes archaic dialogue that is breath-taking. Showing such nuances of gesture and tone of voice that it seems the dialogue emerges from spontaneous thoughts, so we can understand the action in both the physicality and the language. This shows with the young men, Romeo bantering, and playful struggling with his friends, and, less playfully, enemies. They all make it look so easy, the language flows and action matching.
Juliet too shines, whether it’s in exasperated conversation with her nurse, or when no longer confined to her balcony she charges about the stage, swept up in the power of sudden love, William’s wonderful words are given even more power by her mastery of them. Romeo watches, appreciating this vision, no longer smitten by another, promising everything.
All the cast rises to the challenge of Shakespeare’s language making all the characters a delight to watch. Supporting and challenging the characters, the cast work wonderfully together, a super team effort, the ease belying the amount of effort involved to produce such a super production.
There’s lots of love and romance, some fun and laughter, tragedy and tears, as well as vicious fighting and slaughter. What more could you want from a special evening at the theatre?
Enjoy."Mark M
Friday, 6 April 2018
Dinner
Dinner parties can delight and entertain; they can also cruelly humiliate and end in tears. Moira Buffini’s deliciously bad-taste comedy Dinner does both, mixing familiar and unfamiliar ingredients to create startlingly original drama - exploring the frustrated lives of the rich and apparently successful, whilst creating recipes that are “definitely not the kind of thing you find in Delia Smith”. On a night of thick fog, the fabulously elegant Paige is throwing a celebratory dinner in honour of her husband, Lars, and his best-selling pop psychology book ‘Beyond Belief’. She has been preparing the menu for months: ‘Primordial Soup’, ‘Apocalypse of Lobster’ and for dessert ‘Frozen Waste’. She’s even employed a professional waiter especially for the occasion…
The reviews of this cracking black comedy started to arrive as soon as the bows had been taken after the first performance. This show contains strong language and adult themes, and is not for the faint-hearted; but if you like your theatre to be thought-provoking, hilarious, shocking and surprising, this was clearly an evening not to be missed. We would add that there was one gentleman in the audience on the final night who was making his FIFTH visit to the show, he enjoyed it so much...
"I've just been to see the production of Dinner at Sewell Barn. An excellent evening of theatre. The cast were superb playing the roles in a very understated manner and it genuinely felt like you were attending a dinner party with them. The tension simmered throughout without it ever feeling over done and the peaks of anger and venom were excellently judged, again without being too much. The comedy landed where it needed to and it never detracted from the drama. As someone who is involved in a small community run theatre, please keep supporting the fine artistic work going on at Sewell. I'm looking forward to my next visit!" Colin B
"Thought provoking and blackly comic. The whole cast were superb." Becky B
"Seeing 'Dinner' was an absolute treat! The expert acting and high tension of the script were incredibly absorbing, which made the ending even more impactful. I loved it!" Elle G
"A whole string of fine performances from a stellar cast in this one. Well done, all!" Trevor B
"Stupendous performance -- and I do not say that lightly. Congratulations to all concerned." Janet H
"Best production I've seen at Sewell Barn, and I saw it on opening night. Sat with the proud parents of the play's director, and told them that they had every reason to celebrate the achievement made by their daughter, and all the cast & crew that went to make this play so successful & enjoyable! A pitch-perfect dark comedy with a great ending to boot!" Jack S
"I have just got home exhausted after the opening night of Dinner. Horror and hilarity combined to give us a gruesome feast of an evening, which made us laugh and wince, sometimes simultaneously. First rate performances all round, razor sharp direction and a great script made a fantastic evening. I would like to come back for a second helping..." Barnaby M
"Dinner is one of the best plays I have ever seen. And I've seen rather a lot . . . Go and See It if you possibly can." Golda C
"We are well prepared for the tone of tonight's production, as we enter the theatre/stage we are greeted by a dark sombre set, and hanging over the dining table a chandler of knives, very subtle. Then the fun begins, as the wonderful hostess joylessly rips into her special guests. No undercurrents of tension, the emotional turmoil is on the surface. Threats linger in the air, words, even food, which may be alive but is dying to feed them. Perhaps death is waiting here, but for who? Pressure, disbelief, shock and anger plus the wonderful relief of painful humour. Laughter and comments greet stinging events, even profanity, is funny, if targeted correctly. Add rivers of drink, crazy food, fitting costumes, and all is ready for your gourmet evening. Don't miss, relish this very bittersweet comedy. :-)" Mark M
"This is a terrific night out - riveting performances and a script that's hilarious and thought-provoking at the same time. Heartfelt thanks to all involved." Jennifer S
"Congratulations to [Jen Dewsbury] and all the team from both of us! I think it's the best production that the Barn has done this season, with others previously setting very high standards." Phillip W
"Well done Ginny Porteous, John Holden, James Thomson, Sabrina Poole, Jen Dewsbury and all the rest of the cast and crew. What a great show and a fantastic twist at the end. Don't miss it!!!"Ruth H
"Tastes vary and may it ever be thus but if you’re partial to indulging strange appetites then you could do a lot worse than attending Sewell Barn’s current production of Dinner, written by Moira Buffini and directed by Jen Dewsbury.
Equal portions of dysfunction and artifice will be served at a middle class soiree that’s anything but middle of the road. The hosts and their guests are supposed paragons of intellectual and economic success but all of them exhibit deep inabilities to live up to basic cultural norms despite consciously placing themselves as opinion-formers, zeitgeist surfers, or keepers of state secrets.
Paige, who lacks any form of real purpose, has convened the evening to ‘celebrate’ her husband Lars’s new book, a monstrous misreading of Nietzchean thought wrapped up as advice literature. His undergraduate sweetheart, Wynne, is a conceptual artist who arrives fresh from the failure of her relationship with an MP called Bob and appears to latch onto Lars as her new concept. Hal and Siân are newlyweds for whom the honeymoon is definitely over. Their careers, ages, and outlooks are painfully mismatched and they find themselves trapped between past horrors and future consequences. Bob’s place at the table is taken by Mike, a van driver who was unknown to the party until an accident in the fog outside the house forces him to ask for help. Mike’s presence and ability to slice through the façade has a precipitating effect on the tensions that are simmering around the table. The cast is completed by The Waiter, an unnerving character who serves Paige’s perverted culinary creations as well as the true objective of the evening.
This ensemble cast features some of Norwich’s brightest stage talent. With no slack whatsoever they play with language (often proudly rude), class, and their disgusting food. Strong affect, even olfactory if you sniff hard enough, is at the top of the menu with Dinner. If all this sounds grim then be assured that it is and deliberately so, but the audience on the opening night was rolling with laughter as often as they were gasping with surprise or struck dumb by the evening’s events. Be sure to book your own place at the table before April 14th." Karl H
"...this was a stunning drama, with the most excellent acting.
Ginny Porteous [Paige] can create for us the most damaged of psyches imaginable, yet maintain our sympathy and love. A consummate actress, indeed. Harriet Waterhouse [Wynne] is another who makes perfect acting look easy. Sabrina Poole as Siân had less to do but admirably found extra layers. Trevor Markworth's role was that of arguably the real monster, Lars, and his unfussy approach was perfect for that, almost exuding a chill at times, while James Thomson made Hal into an unhappy and yet effective foil for his unsound philosophy, and a much-needed humaniser in general. Will Haragan confidently brought in common sense and assurance in the person of Mike, and John Holden completed the ensemble with the very effective ominous strangeness of the waiter.
Beautifully paced throughout, and the sharp bits of rapid action slick and natural... So - what a treat: seven experienced players, strong, confident, fluent, and flawless, in a very strong drama [with more laughs than I'd expected], in the middle of an enthralled, sometimes shocked, but always genuinely happy audience. I'm not letting you know any more about it - the excellence of the Sewell Barn should be enough – but there are four more performances, so do go. It's highly recommended!" Rob F-W
![]() |
Photographs: Sean Owen of Reflective Arts |
"I've just been to see the production of Dinner at Sewell Barn. An excellent evening of theatre. The cast were superb playing the roles in a very understated manner and it genuinely felt like you were attending a dinner party with them. The tension simmered throughout without it ever feeling over done and the peaks of anger and venom were excellently judged, again without being too much. The comedy landed where it needed to and it never detracted from the drama. As someone who is involved in a small community run theatre, please keep supporting the fine artistic work going on at Sewell. I'm looking forward to my next visit!" Colin B
"Thought provoking and blackly comic. The whole cast were superb." Becky B
"Seeing 'Dinner' was an absolute treat! The expert acting and high tension of the script were incredibly absorbing, which made the ending even more impactful. I loved it!" Elle G
"A whole string of fine performances from a stellar cast in this one. Well done, all!" Trevor B
"Stupendous performance -- and I do not say that lightly. Congratulations to all concerned." Janet H
"Best production I've seen at Sewell Barn, and I saw it on opening night. Sat with the proud parents of the play's director, and told them that they had every reason to celebrate the achievement made by their daughter, and all the cast & crew that went to make this play so successful & enjoyable! A pitch-perfect dark comedy with a great ending to boot!" Jack S
"I have just got home exhausted after the opening night of Dinner. Horror and hilarity combined to give us a gruesome feast of an evening, which made us laugh and wince, sometimes simultaneously. First rate performances all round, razor sharp direction and a great script made a fantastic evening. I would like to come back for a second helping..." Barnaby M
"Dinner is one of the best plays I have ever seen. And I've seen rather a lot . . . Go and See It if you possibly can." Golda C
"We are well prepared for the tone of tonight's production, as we enter the theatre/stage we are greeted by a dark sombre set, and hanging over the dining table a chandler of knives, very subtle. Then the fun begins, as the wonderful hostess joylessly rips into her special guests. No undercurrents of tension, the emotional turmoil is on the surface. Threats linger in the air, words, even food, which may be alive but is dying to feed them. Perhaps death is waiting here, but for who? Pressure, disbelief, shock and anger plus the wonderful relief of painful humour. Laughter and comments greet stinging events, even profanity, is funny, if targeted correctly. Add rivers of drink, crazy food, fitting costumes, and all is ready for your gourmet evening. Don't miss, relish this very bittersweet comedy. :-)" Mark M
"This is a terrific night out - riveting performances and a script that's hilarious and thought-provoking at the same time. Heartfelt thanks to all involved." Jennifer S
"Congratulations to [Jen Dewsbury] and all the team from both of us! I think it's the best production that the Barn has done this season, with others previously setting very high standards." Phillip W
"Well done Ginny Porteous, John Holden, James Thomson, Sabrina Poole, Jen Dewsbury and all the rest of the cast and crew. What a great show and a fantastic twist at the end. Don't miss it!!!"Ruth H
"Tastes vary and may it ever be thus but if you’re partial to indulging strange appetites then you could do a lot worse than attending Sewell Barn’s current production of Dinner, written by Moira Buffini and directed by Jen Dewsbury.
Equal portions of dysfunction and artifice will be served at a middle class soiree that’s anything but middle of the road. The hosts and their guests are supposed paragons of intellectual and economic success but all of them exhibit deep inabilities to live up to basic cultural norms despite consciously placing themselves as opinion-formers, zeitgeist surfers, or keepers of state secrets.
Paige, who lacks any form of real purpose, has convened the evening to ‘celebrate’ her husband Lars’s new book, a monstrous misreading of Nietzchean thought wrapped up as advice literature. His undergraduate sweetheart, Wynne, is a conceptual artist who arrives fresh from the failure of her relationship with an MP called Bob and appears to latch onto Lars as her new concept. Hal and Siân are newlyweds for whom the honeymoon is definitely over. Their careers, ages, and outlooks are painfully mismatched and they find themselves trapped between past horrors and future consequences. Bob’s place at the table is taken by Mike, a van driver who was unknown to the party until an accident in the fog outside the house forces him to ask for help. Mike’s presence and ability to slice through the façade has a precipitating effect on the tensions that are simmering around the table. The cast is completed by The Waiter, an unnerving character who serves Paige’s perverted culinary creations as well as the true objective of the evening.
This ensemble cast features some of Norwich’s brightest stage talent. With no slack whatsoever they play with language (often proudly rude), class, and their disgusting food. Strong affect, even olfactory if you sniff hard enough, is at the top of the menu with Dinner. If all this sounds grim then be assured that it is and deliberately so, but the audience on the opening night was rolling with laughter as often as they were gasping with surprise or struck dumb by the evening’s events. Be sure to book your own place at the table before April 14th." Karl H
"...this was a stunning drama, with the most excellent acting.
Ginny Porteous [Paige] can create for us the most damaged of psyches imaginable, yet maintain our sympathy and love. A consummate actress, indeed. Harriet Waterhouse [Wynne] is another who makes perfect acting look easy. Sabrina Poole as Siân had less to do but admirably found extra layers. Trevor Markworth's role was that of arguably the real monster, Lars, and his unfussy approach was perfect for that, almost exuding a chill at times, while James Thomson made Hal into an unhappy and yet effective foil for his unsound philosophy, and a much-needed humaniser in general. Will Haragan confidently brought in common sense and assurance in the person of Mike, and John Holden completed the ensemble with the very effective ominous strangeness of the waiter.
Beautifully paced throughout, and the sharp bits of rapid action slick and natural... So - what a treat: seven experienced players, strong, confident, fluent, and flawless, in a very strong drama [with more laughs than I'd expected], in the middle of an enthralled, sometimes shocked, but always genuinely happy audience. I'm not letting you know any more about it - the excellence of the Sewell Barn should be enough – but there are four more performances, so do go. It's highly recommended!" Rob F-W
Sunday, 25 February 2018
The Killing of Sister George
Frank Marcus' iconic 1964 play is a wonderful combination of broad comedy, deep pathos, vicious relationship manipulation and pastiche.
Four highly skilled performers create the world in the flat of June Buckridge, who plays the beloved Sister George in the radio soap Applehurst (a thinly-disguised reflection of The Archers). Ironically, at the time of writing (25th February) the latter show has just dramatically killed off a much-loved character - a case of art imitating art?!
We have been delighted with audience reactions to the first three performances; do come and see what it's all about as it continues between 28 February and 3 March.
"[We] would just like to say how much we enjoyed the production last night. The performances were exemplary in a play that was beautifully paced and subtly nuanced and I, for one, was left wondering why there hasn't been a professional revival in recent times. It would be difficult to single out one actor for especial praise but I thought Gill's performance was the finest of all the plays I've seen her in. Those audience members who braved the cold last night were clearly delighted by what they saw." Peter W
"I was at last night's performance... and HIGHLY RECOMMEND IT! [Five stars]" Eve P
"An excellent production from Clare Williamson, seamless direction, flawlessly paced, very enjoyable, with a tour de force from Gillian Tichborne as the eponymous George. A thoroughly nasty bullying creature, yet Gilly showed us moments of vulnerability and occasional tenderness, a well rounded performance.
I love Mandy Kiley, so this appraisal is biased. She was brilliant. Showing a saccharine sweetness disguising a steely predatory cunning. Excellent!
An accomplished debut performance from Sophie Blythe. She resisted overtly showing us her self interest, but it was there alright.
A very funny and mature performance from Joy Davidson completed a quartet of very polished performances.
Good set too, and I loved the Archers parody of music interspersing scenes and act.
Bravo to you all." David W
"We are sadly now well prepared for abusive relationships the gender, and sexuality, of the protagonists irrelevant to the ongoing need for total control of the victim. And when the abuser loses control of her working life she becomes even more desperate and cruel in her relationships.
BUT Wait! This play isn't hard going and 'heavy' it's crammed with passion and laughter and fierce energy that streams from George, who seems to only just control it at times. This play has a historical feel, but the sensitive cast have made these characters so real, you care for them all, following their ups and downs, even the outrageous George. It is really captivating to watch. The cast as we expect are perfect in their portrayal of these characters, and it is lovely to watch their expertise and experience, especially when the title character, and actress, could easily overwhelm the stage, but instead she, of course, gives space for the others to play, this is what acting is about, re-acting to each other. It really was a pleasure to watch, a master class, as has already been mentioned.
It's not often 'Whoops!' of enjoyment accompany the sustained applause in the Barn, but it happened this night and was well deserved. Really don't miss....." Mark M
Four highly skilled performers create the world in the flat of June Buckridge, who plays the beloved Sister George in the radio soap Applehurst (a thinly-disguised reflection of The Archers). Ironically, at the time of writing (25th February) the latter show has just dramatically killed off a much-loved character - a case of art imitating art?!
![]() |
| Photography: Barry Parsons |
"[We] would just like to say how much we enjoyed the production last night. The performances were exemplary in a play that was beautifully paced and subtly nuanced and I, for one, was left wondering why there hasn't been a professional revival in recent times. It would be difficult to single out one actor for especial praise but I thought Gill's performance was the finest of all the plays I've seen her in. Those audience members who braved the cold last night were clearly delighted by what they saw." Peter W
"An excellent production from Clare Williamson, seamless direction, flawlessly paced, very enjoyable, with a tour de force from Gillian Tichborne as the eponymous George. A thoroughly nasty bullying creature, yet Gilly showed us moments of vulnerability and occasional tenderness, a well rounded performance.
I love Mandy Kiley, so this appraisal is biased. She was brilliant. Showing a saccharine sweetness disguising a steely predatory cunning. Excellent!
An accomplished debut performance from Sophie Blythe. She resisted overtly showing us her self interest, but it was there alright.
A very funny and mature performance from Joy Davidson completed a quartet of very polished performances.
Good set too, and I loved the Archers parody of music interspersing scenes and act.
Bravo to you all." David W
"We are sadly now well prepared for abusive relationships the gender, and sexuality, of the protagonists irrelevant to the ongoing need for total control of the victim. And when the abuser loses control of her working life she becomes even more desperate and cruel in her relationships.
BUT Wait! This play isn't hard going and 'heavy' it's crammed with passion and laughter and fierce energy that streams from George, who seems to only just control it at times. This play has a historical feel, but the sensitive cast have made these characters so real, you care for them all, following their ups and downs, even the outrageous George. It is really captivating to watch. The cast as we expect are perfect in their portrayal of these characters, and it is lovely to watch their expertise and experience, especially when the title character, and actress, could easily overwhelm the stage, but instead she, of course, gives space for the others to play, this is what acting is about, re-acting to each other. It really was a pleasure to watch, a master class, as has already been mentioned.
It's not often 'Whoops!' of enjoyment accompany the sustained applause in the Barn, but it happened this night and was well deserved. Really don't miss....." Mark M
Friday, 12 January 2018
Blood and Ice
It's 200 years ago this month (January 2018) that Mary Shelley's iconic novel was published, and we're delighted to be celebrating this milestone with Liz Lochhead's dark, powerful play about Mary and her world.
We were especially pleased to be given a double-page spread of advance publicity in the Eastern Daily Press about the show, and you can read the online version here.
The show has been greeted with great enthusiasm, and here are some of the reviews...
"Went to see Blood & Ice at Sewell Barn last night (17th Jan) and it was fantastic. Such a strong show, actors were excellent, particularly the young lady who played Mary Shelley. She had so many lines and delivered them incredibly well. I thought it a very credible performance. Well done." Dawn T
"... tension is brilliantly maintained throughout, with the whole space of the theatre used for action above, below and around us..." Charlotte Valori (click here to read the whole review)
"I didn’t know what to expect as I didn’t know the play. It was brilliantly performed, the effects were excellent and scary at times. I was on the edge of my seat! A play that combined an element of horror with a moving story line. Not to be missed. Congratulations all round." Jill F [Chair - Sewell Barn Committee]
"Went to see Blood & Ice last night. What a pleasure it was! A fascinating study of Mary Shelley and the creation of Frankenstein. Strong direction, clear communication and a very effective set all enhanced the experience. I'm happy to say that my Norwegian sister in law followed every word! We'll done to all involved for a fantastic evening out. Lots of food for thought and isn't that what the best theatre should be about?" Clare W [Joint Artistic Director]
"Very atmospheric with some great set pieces... visually stunning." Barnaby M
"Very thought provoking play. Some very good performances and wonderful direction. Costumes were excellent too." David W
"A night of dark interest as we went to see Blood and Ice The life and sometimes frightful times of #frankenstein author Mary Shelley Directed by our beautiful and talented friend (gents she's single;)) @sabz_101 this being my first visit to a theatre. It was a real treat and kept me gripped from start to finish." Carl S
"Blood and Ice. Sewell Barn Theatre. Fantastic play, wonderful acting, inspired directing. A thrill to watch!" James T
"Tightly directed, beautifully characterised and well focused." Cassie T [Joint Artistic Director]
Book at St George's Music Shop (by phone or in person), or online; visit our booking page for details.
![]() |
| Photography: Sean Owen of Reflective Arts |
The show has been greeted with great enthusiasm, and here are some of the reviews...
"Went to see Blood & Ice at Sewell Barn last night (17th Jan) and it was fantastic. Such a strong show, actors were excellent, particularly the young lady who played Mary Shelley. She had so many lines and delivered them incredibly well. I thought it a very credible performance. Well done." Dawn T
"... tension is brilliantly maintained throughout, with the whole space of the theatre used for action above, below and around us..." Charlotte Valori (click here to read the whole review)
"I didn’t know what to expect as I didn’t know the play. It was brilliantly performed, the effects were excellent and scary at times. I was on the edge of my seat! A play that combined an element of horror with a moving story line. Not to be missed. Congratulations all round." Jill F [Chair - Sewell Barn Committee]
"Went to see Blood & Ice last night. What a pleasure it was! A fascinating study of Mary Shelley and the creation of Frankenstein. Strong direction, clear communication and a very effective set all enhanced the experience. I'm happy to say that my Norwegian sister in law followed every word! We'll done to all involved for a fantastic evening out. Lots of food for thought and isn't that what the best theatre should be about?" Clare W [Joint Artistic Director]
"Very atmospheric with some great set pieces... visually stunning." Barnaby M
"Very thought provoking play. Some very good performances and wonderful direction. Costumes were excellent too." David W
"A night of dark interest as we went to see Blood and Ice The life and sometimes frightful times of #frankenstein author Mary Shelley Directed by our beautiful and talented friend (gents she's single;)) @sabz_101 this being my first visit to a theatre. It was a real treat and kept me gripped from start to finish." Carl S
"Blood and Ice. Sewell Barn Theatre. Fantastic play, wonderful acting, inspired directing. A thrill to watch!" James T
"Tightly directed, beautifully characterised and well focused." Cassie T [Joint Artistic Director]
Book at St George's Music Shop (by phone or in person), or online; visit our booking page for details.
Saturday, 25 November 2017
Accidental Death of an Anarchist
Dario Fo's manic political farce has long been considered a classic of twentieth-century theatre, and for good reason. As Director Karl Harland says: “Are you worried that the world has descended into corruption, incompetence, and bad language? If so then the Sewell Barn’s next show, Dario Fo’s Accidental Death of an Anarchist, will reassure you that you’re not wrong and it’s nothing new.
It’s 1969 or thereabouts and after gaining access to a Milan police station, the scene of the death of a suspect in a previous terrorist incident, our hero the Maniac sets to work digging up the truth that was buried by a nest of corrupt coppers. Add journalist Maria Feletti to the mix and it can only end one way. Or can it?"
The positive reviews started arriving as soon as the first night was over, and we're very proud of the magnificent cast and crew who have brought their energy and skills to this show.
"Very impressed with the actors and performance. Icing on the cake was a set prop: a portrait of Mussolini with Donald Trump hair ... great to see such an amazing performance and the Italian songs were just awesome! Congratulations!!" Kiran G
"This show is a blast and I honestly thought I was going to explode with laughter. A madcap frantic evening which will entertain and delight! My face is still aching from all the laughs, and the cast were clearly loving every moment! Bravo!" Barnaby M
"Directors Karl Hartland and Clare Williamson preside over a successful farce, powered throughout by a hyperactively brilliant, rapidly paced central performance from Hattie Scopes as the Maniac, whose machine-gun delivery of Fo’s punishing lines comes with shattering speed and clarity..." Charlotte Valori [click here to read the full review]
It’s 1969 or thereabouts and after gaining access to a Milan police station, the scene of the death of a suspect in a previous terrorist incident, our hero the Maniac sets to work digging up the truth that was buried by a nest of corrupt coppers. Add journalist Maria Feletti to the mix and it can only end one way. Or can it?"
![]() |
| Photography: Sean Owen of Reflective Arts |
The positive reviews started arriving as soon as the first night was over, and we're very proud of the magnificent cast and crew who have brought their energy and skills to this show.
"Very impressed with the actors and performance. Icing on the cake was a set prop: a portrait of Mussolini with Donald Trump hair ... great to see such an amazing performance and the Italian songs were just awesome! Congratulations!!" Kiran G
"This show is a blast and I honestly thought I was going to explode with laughter. A madcap frantic evening which will entertain and delight! My face is still aching from all the laughs, and the cast were clearly loving every moment! Bravo!" Barnaby M
"Directors Karl Hartland and Clare Williamson preside over a successful farce, powered throughout by a hyperactively brilliant, rapidly paced central performance from Hattie Scopes as the Maniac, whose machine-gun delivery of Fo’s punishing lines comes with shattering speed and clarity..." Charlotte Valori [click here to read the full review]
"There’s nothing accidental about the laughs; this is a rude and spunky production of a modern classic." James Goffin, Eastern Daily Press [click here to read the full review]
"Well done Accidental Death of an Anarchist! Though I am utterly bias, I think Jessica Hutchings singing at the end was the most beautiful moment of the whole thing! Was a great show, you should all be very proud!" Megan R
"Really enjoyed it. Fantastic show." Frank S
"Really enjoyed it. Fantastic show." Frank S
"[I] was very impressed with the cast and direction. It was my first visit but you can be assured it won't be my last.{also an added mention to the voluntary staff who made my wife and I very welcome as did the wonderful cast afterwards.}" Eddie K
"Saw Accidental Death of an Anarchist yesterday eve. Loved the high energy & little touches like putting up a picture of Mussolini to show that the police rooms were different, even though the same set!" Jack S
"Well done to all involved in Accidental Death of an Anarchist... Fast paced and so funny... had a really great evening." Ruth H
"'Anarchist' was fantastic last night – I sometimes think I have (peaceful) anarchist tendencies!" Roy T
This characteristically inventive posting from Mark Mobbs deserves quoting in full:
"Saw Accidental Death of an Anarchist yesterday eve. Loved the high energy & little touches like putting up a picture of Mussolini to show that the police rooms were different, even though the same set!" Jack S
"Well done to all involved in Accidental Death of an Anarchist... Fast paced and so funny... had a really great evening." Ruth H
"'Anarchist' was fantastic last night – I sometimes think I have (peaceful) anarchist tendencies!" Roy T
This characteristically inventive posting from Mark Mobbs deserves quoting in full:
The pace, energy and volume!
(Yes at times it is a bit shouty)
Of this production is breathtaking!
Characters don't form slowly,
They are there, and grab your
Attention instantly.
Real reactions to a crazy situation,
We are drawn into this Python-esk world,
Wonderfully.
The main mad 'man' is amazing and
has perfect Support from, an unwilling,
Crazy gang. Many funny and hysterical
Moments, the audience convulsed,
In agonised laughter.
The cast seemed to relish this punishing,
Rush of words, from profanity to songs,
All gathering to a big final..............!
No spoilers, watch and enjoy this
Energising, provocative production.
And our audience have congratulated the cast through the medium of the blackboard in the foyer:
Monday, 16 October 2017
Lark Rise to Candleford
Flora Thompson's well-loved trilogy (Lark Rise, Over to Candleford and Candleford Green) were written during the years of WW2, reflecting largely autobiographically on Thompson's own life in late 19th century rural Oxfordshire. In the 1970s, Keith Dewhurst adapted the three books into two plays: charming, humorous, observant, poignant, and using traditional music to link wonderful vignettes of village life. They were originally staged in the National Theatre's Cottesloe space, using a promenade style. Finally, the books were adapted again for television in 2008.
It's a rare treat to have the chance to see both Lark Rise and Candleford performed together (each is a full-length play, standing on its own), not least because of the large cast required for each show (two dozen actors across the two plays), as well as four first-rate musicians. Robert Little and his cast have done a wonderful job, using our unique and intimate space with simple staging, a marvellous band and a tremendous family feel.
We were delighted by so many positive comments from our audiences, via email, social media and our audience survey.
"Very thought provoking and moving... Mrs Timms and the barrow boy deserve particular credit. Well done!"
"Excellent. Looking forward to tomorrow night's Candleford. Enjoying the music."
"I have been coming to Sewell Barn for years but this is the most brilliant production I have ever seen there - and elsewhere. Congratulations to ALL concerned" Elizabeth N
"Excellent, as always!"
"I came to Lark Rise and Candleford because I saw both at the National Theatre in London many years ago. Your production does them credit." Carolyn A
"I loved it."
"A seamless string of vignettes, gently and accurately observed, and presented with sincerity and sympathy, humour and pathos." Cassie T [Joint Artistic Director]
"...how wonderful to see the theatre alive with music, drama and dance! Congratulations to Robert Little and his team for a marvellous evening's entertainment. Looking forward to Candleford next week!" Clare W [Joint Artistic Director]
"Last night was my first visit to Sewell Barn and I was very impressed both with the theatre itself and the production of Lark Rise which was excellent. My wife and I also have tickets for “Candleford” next Wednesday the 18th - very much looking forward to it." Mike H
It's a rare treat to have the chance to see both Lark Rise and Candleford performed together (each is a full-length play, standing on its own), not least because of the large cast required for each show (two dozen actors across the two plays), as well as four first-rate musicians. Robert Little and his cast have done a wonderful job, using our unique and intimate space with simple staging, a marvellous band and a tremendous family feel.
We were delighted by so many positive comments from our audiences, via email, social media and our audience survey.
***
"Very thought provoking and moving... Mrs Timms and the barrow boy deserve particular credit. Well done!"
"Excellent. Looking forward to tomorrow night's Candleford. Enjoying the music."
"I have been coming to Sewell Barn for years but this is the most brilliant production I have ever seen there - and elsewhere. Congratulations to ALL concerned" Elizabeth N
"Excellent, as always!"
"I came to Lark Rise and Candleford because I saw both at the National Theatre in London many years ago. Your production does them credit." Carolyn A
"I loved it."
"A seamless string of vignettes, gently and accurately observed, and presented with sincerity and sympathy, humour and pathos." Cassie T [Joint Artistic Director]
"...how wonderful to see the theatre alive with music, drama and dance! Congratulations to Robert Little and his team for a marvellous evening's entertainment. Looking forward to Candleford next week!" Clare W [Joint Artistic Director]
"Last night was my first visit to Sewell Barn and I was very impressed both with the theatre itself and the production of Lark Rise which was excellent. My wife and I also have tickets for “Candleford” next Wednesday the 18th - very much looking forward to it." Mike H
Subscribe to:
Posts (Atom)





