When We Are Married

by J B Priestley | directed by Cassie Tillett
16-18, 22-25 July

This amateur production is presented by special arrangement with Concord Theatricals Ltd on behalf of Samuel French Ltd www.concordtheatricals.co.uk

Three respectable Northern couples were all married in the same ceremony by the same parson. Now they gather to celebrate their joint twenty-fifth wedding anniversary with ‘a bit of a do’; but the foundations of their lives, their social standing and their very identities are threatened by an earthquake of revelation.

J B Priestley’s classic ‘Yorkshire farcical comedy’ has been delighting audiences since its first performances in 1938. Not only does it present dialogue that still rings hilariously true, but it holds an acutely observant, sometimes uncomfortable, mirror up to society, with all its complacency, arrogance and misplaced certainty.

Photography: Sean Owen of Reflective Arts
Click here for more photographs

"Thank you for such first class entertainment on Saturday, I honestly could have believed that the cast all came from Yorkshire and my Dad was a Yorkshireman so I am familiar with the accent! The actors’ expressions were priceless. Can’t wait for the next production." Linda 

"Congratulations are in order for a very fine production of When We Are Married. You certainly chose and directed a superb cast while Phil worked his magic in delivering another marvellous set." Peter

"Any perception that Priestley’s work is a bit stuffy and old fashioned soon disappears as this production gives us a bright, fast paced and funny account of some very real human dilemmas that transcend changing fashions and values. This show is great fun and the auditorium was packed this evening. Although geographically specific the themes in this play are universal, and it is bursting with comedy and pathos." Julian Swainson - Norwich Eye [click here for full review]

"Last night was very enjoyable and what a lovely cast to be working with. They all seemed as if they really wanted it to be a good evening for the audience and the timing and the facial expressions made the comedy perfect."  Jenny

"Many congratulations to Cassie Tillett for her vastly entertaining production of 'When we are Married' at the Sewell Barn Theatre . Perfect casting and great comedy." Clare

"We were very impressed by Sewell Barn's latest production When we are Married yesterday at the matinee - the cast were excellent - loved the northern accents and the scenery splendid - as it was a very hot and humid day the two intervals were much appreciated - so all in all a very jolly afternoon - well done all." Sally

"Cheers to a really fun production! When We Are Married at the Sewell Barn is a perfectly cast and beautifully performed comedy that makes for a very entertaining evening (and the set is stunning!) Congratulations all." Alison

"I just wanted to let you know how much we enjoyed the play last night.  It was very funny - the kind of humour I love - and the performances and delivery were top notch.  Your directorial skills were keenly on display in a delightfully engaging performance.  Annie in particular had me totally creased up as her inner world flashed across her face even when not directly engaged in the action.  The pairings worked wonderfully.  So much to commend but short of time and didn’t want to forget to write.  Thank you and congratulations to you all."  Charlotte

"We are so lucky to have such a talented bunch here - I hope they enjoy it as much as we do. Brilliant play, thank you all so much." Vicky

"Absolute treat! Witty dialogue, wonderfully delivered against a superb set. Sincere congratulations to all involved. Go if you can!" Shelagh

"What a fabulous production. Brilliantly engaging from the very beginning, excellent comic timing and nuances from every single character. Detailed and incredible set and costume. Thank you for a thoroughly enjoyable evening." Vanessa

"Watched the play last night and thought it was brilliantly cast and so well played, the facial expressions were priceless!!" Sue

"Excellent show, great comic timing and physicality. Loved it." Charlotte

"I'm sure there's a wider point to make about the class system, marriage, and gender roles, but sometimes it's ok to just let a daft story play out in front of you and enjoy it for what it is - a very silly and entertaining show." Ray Tempesta - East Anglian Theatre Podcast [click here for full review]

"It was excellent. Really enjoyed it. Fantastic set too." Adrian

"I felt at home with all the lovely [Yorkshire] accents. Of the 3 couples, the one with the big sidies [Jamie Willimott] easily has the better accent. I’m expecting you to tell me he’s from up there [he isn't!]. The young girl who played the maid [Cathy Bowman] also did a great job. The one that went to the pub to tell the tale [Les Roberts] played a great part... I felt warm and at home for a brief moment in time." Audience email to member of the team

"It’s a light comedy with some smart dialogue and plenty of chances to ham it up for laughs, which the large cast seldom pass up, with Giles Conneely as stingy and dull Councillor Albert Parker, Dawn Brindle as bossy Clara Soppitt, and Jamie Willimott as the excitable Alderman Joseph Helliwell leading the facial gymnastics. Not to be outdone is Kevin Oelrichs as an increasing inebriated photographer – and occasional truth teller – who stumbles and swigs delightfully, whereas Laura Green and Les Roberts as put upon partners mostly play things straight, with some great comic impact." James Goffin, Cultivated [click here for full review]

Tickets www.ticketsource.com/sewellbarn/ | phone 0333 6663366

Beautiful Thing

by Jonathan Harvey | directed by Tom Scudamore
4-6 and 10-13 June

This amateur production is presented by special arrangement with copyright agent Michael McCoy of Independent Talent Group Limited

Neighbours Ste and Jamie lead tough lives on a South London council estate. Jamie is bullied at school. Ste is bullied at home. They find comfort in each other’s company and one night under the same roof, sharing a bed, comfort turns to love. But out in the world they must navigate these new feelings, enjoying the highs of tenderness and excitement, weathering the lows of anxieties and fears.

Thirty years after its first production, Jonathan Harvey’s sweet, enchanting and quietly determined story of gay love still resonates in a tale of friendship, community, and what it means to be sixteen and in love.

Photography: Grant Barker

"Last Saturday me and Jacqui headed over to the Sewell Barn Theatre to see a production of Jonathan Harvey's play, Beautiful Thing. It's about a couple of young lads in the 90's living on a South London estate who fall in love. I guess you could call it a coming of age comedy/romance/drama. Anyway, however you want to classify it, it was utterly brilliant. We laughed a lot, nodded sagely at some moments, and at one point in the second half, this crusty old theatre goer had to spend a few moments pretending he had something in his eye. Both eyes in fact. Mums are important you see. The whole cast were excellent, but the two central performances were considered, convincing, and brave in a way that made me insanely jealous (as only an old actor can be jealous in the face of such obvious and superior talent). I wish I was that good. Seriously though, go and see it... I may and grab a second look on Saturday evening if there are any seats. It's that good." Richard

"Absolutely the best I've seen in a long time. So tender, well observed, beautifully cast and acted. Loved every moment! Congrats, Jeremiah, you were wonderful.. all of you were fab! How do you act with the audience so close! Oohh.. the fight scene was the best orchestrated I've seen! Amazing xx" Sue

"This is a wonderful production. Excellent mise-en-scènes. Organic set changes. The actors were top-notch. They were never distracted by the audience. They were always in character. The interactions between the characters were top-notch. Complete immersion into the atmosphere of that life. Thank you very much!!" Maryna

"A beautiful production, Tom. Poise, pathos and joy, all elicited by a dedicated and supremely talented cast collaborating with your vision. Very well done." Giles

"I thoroughly enjoyed my visit to the Barn on Saturday, another excellent performance. All the characters were entirely convincing and made us feel sorry for each of them at different times. Glad I'm not young now!" Jenny

"Just back home from Sewell Barn Theatre after seeing their performance of Beautiful Thing ... It was such a moving production resulting in a well deserved standing ovation by the whole audience... If you don’t know about The Sewell Barn Theatre then you need to check them out and support them if you can." 'Reader Trowse'

"A fabulous production. West End class!" Rupert

"If there are any tickets left, grab one. A super talented cast, a play that manages to be heartbreaking and heartwarming all at the same time and wonderful direction from Tom Scudamore." Laura

"Hard to tell it's amateur. Amazing." Simon

"It's been said before ... this production is absolutely superb! Huge congratulations to everyone involved and thank you Sewell Barn for giving us these amazing productions." Philip

"It is excellent - do see it if you possibly can." Shelagh

"Beautiful Thing at at the Sewell Barn Theatre is just that… a completely Beautiful Thing. 😍 I would usually take a photo of the curtain call to share but I was too busy applauding, cheering and dabbing my eyes 🥲 What a stunning evening of theatre. I didn’t know the play at all but the writing is just brilliant and the performances in this production are stellar. 🤩 I laughed, I cried, I gasped, I held my breath. It is in turn funny, brittle, touching, warm, intimate, tender and heartbreaking. The superb cast give every moment an authenticity and depth that leaves you feeling, not that you’re in a theatre, but that you’re living on their street and peering across the walls into their lives. If I was able, I would go again before the end of the run. If you possibly can, run, don’t walk, to the Sewell Barn to see this show which is on until Saturday. You’ll be so glad you did! Congratulations to everyone who brought this to life and thank you." Alison

"Such a great production - yes, yes to all of the above. Don't miss this show." Julia

"Huge congratulations to Tom Scudamore and his cast and crew at the Sewell Barn Theatre tonight. Beautiful Thing by Jonathan Harvey was indeed a beautiful piece of work. I felt totally absorbed by the lives of the five characters portrayed so movingly in all their comic awkwardness and emotional frailty. One of the truest and best things I've seen at the Barn -  and I've seen a lot." Clare Williamson, FOH Manager

"I laughed and cried and laughed and cried again. I loved the whole production, staging, interpretation, the acting was really strong, I don't think there could have been a better interpretation. One of the best productions I've seen in a long time (and I see a lot)." Alex

"Just home from seeing Beautiful Thing at the Sewell Barn Theatre and it was in one word: tremendous. Well done one and all for a very entertaining and absorbing evening". Jamie

"This is a superbly written play that really is life affirming and will send you home smiling and happy. Director Tom Scudamore has honed memorable performances from his cast and together they should feel very proud of this delightful show from Sewell Barn Theatre." Julian Swainson - Norwich Eye [click here for full review]

"I saw Beautiful Thing at the theatre last week and was just so impressed. The quality of the production and acting was exceptional! It's one of the best plays I've seen. Please do pass my congratulations on to the cast and team. I am still thinking about it!" Clarissa

"Just wanted to say how amazing was this play. I knew nothing about the play in advance but once we’d tuned in to the vernacular, it blew me away! It was funny, blisteringly in your face real, and beautiful. The attention to detail in the acting from all 5 actors was searing and still imprinted in my head. The facial expressions, the quick delivery, the sheer brass neck of it masking their vulnerability, the tension, the sensitivity - all remarkable and beautiful. Powerful messages for us as a society simply delivered. Messages about the impact of poor housing, poverty, everyday struggles to survive, formulaic education, the left behind and lost. Messages not declaimed but simply delivered. Wow! So very proud of Sewell Barn. It should be compulsory viewing! Much love and congratulations to the whole team." Shelagh

"Lovely play superbly performed. Well done Jeremiah et al. Thoroughly recommended. Do not miss it." Kevin

"Director Tom Scudamore has conjured together a story telling that delivers beautifully. The ending may only be a beginning for these characters, but it’s one to cherish while you can." James Goffin - Cultivated UK [click here for full review]

"A great show.  Do not miss. These were not performances but real people whose lives we were privileged to became involved with for one evening, sharing raw emotions and true love." Jane

"Beautiful Thing is The Sewell Barn Company’s latest triumph, and a lesson in stagecraft and great casting… Scudamore has achieved a difficult balance of both tugging on the heartstrings and littering the piece with consistent comedy, intentionally leaving the audience conflicted yet distinctly optimistic at the conclusion." Gina Stock, UK Theatre Network [click here for full review]

Female Transport

 by Steve Gooch / Directed by Jessica Hutchings
23-25 April and 29 April-2 May

Images: Barry Parsons Photography

“Farewell to old England for ever.”

In 19th century England the prisons are overcrowded and petty crime is rife. The solution? Punishment by transportation.

Six women are sentenced to a life of hard labour in the Australian penal colonies. But first they must survive the brutal journey across the seas. Kept locked in their cell

aboard the convict ship, these women have little idea of what lies ahead of them. Enduring exploitation and violence in close quarters, where emotions from convicts and crew alike are as unpredictable and turbulent as the ocean, they must fight not just for their lives but for their very humanity.

Contains strong language, depiction of hanging, violence and sexual assault, and loud noises.

This amateur production is presented by special arrangement with Concord Theatricals Ltd on behalf of Samuel French Ltd www.concordtheatricals.co.uk.

***

"If you are offended by the c-word, do not see this play.  If you feel you may rejoice in its repeated use, by a defiant (beyond her own detriment) yet strangely vicariously empowering ‘Nance’, see this play.  If themes of sexual power-play and the myriad of abuses therein make you flinch, be prepared to flinch.  If a woman owning her own sexual power is not your thing, you won’t like ‘Charlotte’.  If an abusive ‘Sarge’ played with a truly terrifying kind of skilful conviction is currently beyond that which you dare to witness - you’re not ready for this play and its soul-shattering, trauma-triggering kind of truths.  If you’re not prepared for women’s wiles coming to prove themselves as the survival instinct that gets them through, over and above the clear moral leanings of a male minority with whom your sympathy will be keenly felt, don’t even attempt to withstand the traumatic sense of contempt within which these women struggle to keep hold of themselves, degraded and deprived against their will, which strangely flourishes as the sheer brutality sets in. This is not light entertainment, this is not for the faint-hearted. It’s about as hard-hitting as it gets but there are the kind of gallows humour laughs and sheer brazenness that keeps the looming sense of despair at bay, for most if not all.  You could Google the reviews on the internet and learn about the perceived deficiencies in the script.  You could take away different sound bites from reputable reviewers such as ‘it makes for an entertaining evening which provides roles for a wide range of actresses which is refreshing to see’.  That particular c*nt missed the point methinks.  It is stark, it is brazen, it is uncomfortable and a difficult watch.  And that is what makes it a must-see." Charlotte

"I really enjoyed my visit to the Barn yesterday; a really compelling story, and so well acted. The set, the lighting and the sound effects were first rate and I'm still trying to work out how the hanging was made to look so realistic! The gasps and exclamations from the audience must have made the cast and the director realise how well they were putting the story across." Jenny

"Really enjoyed this. Brilliant acting." Diane

"Well done to all involved - the set was evocative snd atmospheric, enhanced perfectly by top quality sound and lighting. And so to the performances... we saw the top deck males, worrying about commodities and trade offs juxtaposed with the women below, coping with deep trauma and physical hardship in an attempt to survive in Australia. Congratulations to a brilliant, cohesive cast who immersed us in their stories and the voyage into the unknown." Clare Williamson - Chair, Sewell Barn, and FOH Manager

"The feeling of being on board ship created by the company is so real I advise taking sea sickness tablets with you [just in case]. Seriously - a great production. Well done."  Jane

"Female Transport is replete with sex and violence and some positively unladylike language, as the subject demands.... this play is well worth seeing at the Barn, if only to make us pause and reflect on how it is so often women who suffer most from cynical and punitive governance driven by profit and expedience. Oppression and division are bedmates, we need to remember this when we cast our votes in a few weeks time." Julian Swainson, Norwich Eye [click here for full review]

The Ragged Trousered Philanthropists

by Robert Tressell, adapted by Tom Mclennan | Directed by Chris Jones
5-7 & 11-14 March at 7:30 pm | Matinee 14 March at 2:30 pm
Tickets www.ticketsource.co.uk/sewellbarn | phone 0333 6663366

Photography: Andrew Evans

Struggling against grinding poverty, a group of Edwardian workmen survive from day to day while their bosses live on the proceeds of their labour. Will they come to see where their true interests lie, or are the social roles that govern their lives too strong to break?

Published posthumously in 1914, the largely autobiographical novel has never been out of print and has inspired generations of left wing activists and campaigners. Tom Mclennan’s adaptation celebrated the novel’s centenary, and with references to cross-channel immigration, tariff wars, and Conservative/Liberal coalitions shows the story is as relevant today as ever.

This production is presented by kind arrangement of the author Tom Mclennan. Tom will lead an after-show discussion of the play on Wednesday 11 March, open to all.

***

"Excellent production. So glad I went to the first night. Thank you." Kay

"Well done to you, cast and crew! I really enjoyed the witty and moving play last night. Also, please pass on to the singing cast members - well sung and I was SO PROUD! They sounded great, and so confident. They delivered those songs perfectly." Claire Kidman - production voice coach

"Just wanted to thank Chris and everyone for inviting me to be part of the Q and A last night. It’s a terrific adaptation of the novel, wonderfully directed and brought to life by a brilliant, brilliant cast which I’ve been lucky enough to see twice. It was an honour to sit on the stage with you all." Michael Galley, local author of “Working Class Hero: Robert Tressell’s Ragged Trousered Philanthropists”.

"This is a moving and well paced drama that makes the case for socialism with pathos, humour and passion. In an ideal world this play should be a curriculum requirement for every school in the city, and if you are lucky enough to have young people in your life bring them to the Barn for this great show... A ‘must see’ show which will not disappoint." Julian Swainson - Norwich Eye [click here for full review]

Crown Matrimonial

by Royce Ryton | directed by Zanna Foley-Davies
15-17 and 21-24 January

Photography: Sean Owen of Reflective Arts

England, 1936 – a crisis is forming in the monarchy. Edward VIII has declared his intention to marry Wallis Simpson, an American socialite with not one but two living ex-husbands. The church forbids the match, the country is scandalised by it, and the rest of the royal family are firmly against it. They say he cannot marry her and be King, he says he cannot be King without her. Their question of what should come first – personal happiness or public duty – could tear the very fabric of the family apart.

***

"Overall this is a very slick production of an engaging text that presents an historical landmark entirely in the setting of a family psychodrama. Even if like me you are a curmudgeonly disrespectful republican I am sure you will be entertained by this show, unlike Queen Mary who is plainly not amused. It does make us question the bizarre tradition of drawing our head of state from a dysfunctional family born of a rather tiny available pool of suitable breeding stock. If Charles III is weekending at Sandringham he should pop in to the excellent Sewell Barn show and perhaps savour a little schadenfreude at his predecessor’s discomfort facing an identical problem to his own before accession.  I note that the next production at the Barn is to be The Ragged Trousered Philanthropists, no doubt to restore harmony to the Socialist Republic of Norwich!" Julian Swainson - Norwich Eye [click here for full review]

"Well done all - a production to all be proud of!... [we] enjoyed it immensely." Emma 

"Saw it tonight, absolutely loved it! Great show!" Emma

"Excellent performance! Attention to detail was outstanding. Well done!! Thoroughly enjoyed." Robin & Jeanette

"The piece centres around the actions of the wayward monarch, embodied perfectly by Alex Tiller as someone whose sense of duty is usurped by emotion... its driving force is the matriarch Queen Mary, played with a bewildered stoicism by the excellent Julie Benfield. It's well worth watching on the strength of the fine company performance, but those of us whose interest in the Monarchy may have been piqued by mainstream hits such as Netflix's The Crown will find this a compelling piece of Royal history, as well as those with a general historical interest too." Ray Tempesta - East Anglian Theatre Podcast [click here for full review]

"Brilliant production and performance, can’t wait to see it again." Veronica

"Was there on opening night, excellent performances from all." Catherine

"Julie [Queen Mary] was excellent and I was particularly impressed with Bertie. Everybody was good. A notable production." David

"This was an absolutely SUPERB production that any professional company would have been proud of! Sizzling performances, especially from Julie Benfield, Alex Tiller and Stephen Crawford-Brown! Many many congratulations!" Robin

"Another excellent and very enjoyable production by The Sewell Barn Theatre players tonight... Congratulations to all the cast and crew. Looking forward to seeing the next production." 'Reader Trowse'

"Crown Matrimonal: A superb triumph, outstanding performances, thoroughly entertaining - well done all." Jamie

Coriolanus

by William Shakespeare | adapted and directed by Jez Pike
21-22 and 26-29 November

Contains strong language, flashing lights and depictions of violence

Photography: Barry Parsons

A strongman leader. A starving people. A war that’s coming home. Coriolanus is a political thriller for our turbulent times.

"I’ve just returned from the most wonderful afternoon of theatre and I am still reeling. The Sewell Barn Theatre production of Coriolanus was one of the best performances of a Shakespeare play that I’ve seen. I don’t say that lightly. Jez Pike’s direction and modern staging was imaginative, engaging, thrilling and provocative. The use of live film, large projection screens, music, lighting, smart phones, text, voice notes… none of it overrides the text and performance. It all felt perfectly natural and just worked beautifully. And what performances! An incredibly strong and capable cast took this play by the scruff of the neck and made it theirs. All led by Hans Christian Harder as Coriolanus who was simultaneously strong, intense, passionate, imposing and then also vulnerable and moving. I came out of the theatre feeling exhilarated and enthused. Just what great theatre should do.  This small theatre has a reputation for its ability to deliver exceptional quality (I’m maybe a little biased because I’ve been lucky enough to be involved in some of it!) but it’s a reputation well deserved." Alison

"Just wanted to say how brilliant is the Barn! We came twice to see Coriolanus as there was so much of it to savour and absorb. Another one of those performances we haven’t been able to stop talking about. It was not an easy watch and me not knowing the play meant intense concentration… but so rewarding. I loved that it was set in modern times - everything from the PTSD counselling to the necessary ‘extremist’ mindset which once cracked led to certain downfall….. to the impossible but excellent role of the go-between, to the morally virtuous but unrealistic and shortsighted views of ‘the people’ and the scheming duplicitous Tribunes…… to the acerbic Cominius. Loved the vox pops with the people, denying their role in any banishment - not me gov! The directing and acting was superb. They completely inhabited their characters and with such power in their eyes as much as the voice. It simply burned an imprint on one’s consciousness. Bravo the Barn!" Shelagh & Alan

"I have no information on what director Jez Pike was taking when he dreamed up this production, but give me a double dose of it!... Coriolanus is a tragedy, but Jez has crafted a lively, vibrant performance which is full of humour and witty detail amidst the sea of pathos... Overall this show reminds us that the genius of Shakespeare is to identify and portray universal human themes, so the historical narrative and the style and fashion of delivery are merely vehicles for his message. Sewell Barn have been on a roll for the last few years and this show is another unmissable high point. Book your seats now!" Julian Swainson, Norwich Eye [click here for full review]

"A fantastic performance last night, brilliant production and a talented cast! And a great story too. Go if you can!" Paul

"[I was] there last night and it was an amazing evening. Coriolanus was brilliant but so were the whole cast. A difficult and complex play that was performed as well as as any RSC performance. Thank you all." John

"I thought it was very ambitious and had a great use of tech and the space by Jez. It’s a tricky play of course (as quoted by Judi Dench) and quite difficult to follow if you don’t know the play. Overall, a great effort by all involved... Despite its length this version was never less than very engaging." David

"This is a punchy adaptation, creatively directed and excellently acted, adding a contemporary spin to one of Shakespeare’s lesser known stories." James Goffin, Cultivated [click here for full review]

"What counted last night was the extraordinary passion, pace, stagecraft, imagination and relevance created by this stage family. Jez Pike’s vision for the play, and his adaptation thereof (and yes, you don’t usually hear the F-word in Shakespeare) was quite simply mesmerising, absorbing and thrilling... at the heart of all this, Hans-Christian Harder’s remarkable Coriolanus was charismatic, hypnotic, startling, vulnerable, frightening and absolutely real. This was a masterclass in character habitation and communication. Bravo." Cassie Tillett - Joint Artistic Director [click here for full review]

Jan Beavis: RIP

EDIT: Following the announcement of Jan's passing last month, we ask you to keep Miche, Simon and the close family in your thoughts, and maybe to light a candle, on Wednesday 5 November, when there will be a private family funeral. If there is a memorial service it will be held next Spring and we will let you know then.

Thank you for all your kind wishes and loving memories, which the family appreciates very much.

***

We have received the sad news of the passing of one of our longest-standing and beloved members, Jan Beavis. 

We received this message from her daughter, Michelle Montague:

"Having been diagnosed with mixed dementia over a decade ago, Jan Beavis passed away on Sunday 12 October. Miche and her brother, Simon, were by her side."

Jan is seen here with Miche 'during the Sewell Barn Theatre / Maddermarket Theatre heydays'; and the photograph of the younger Jan was taken in a production of 'Johnny Belinda' in the late 1960s.

For newer members of the theatre: Jan's daughter Miche is herself a much-loved member of the Norwich theatre family, previous Artistic Director at the Sewell Barn (2011-2016), actor and director: Jan's husband Mike, who passed away in 2018, was the Barn's technical director for many years, and the family has been a huge part of the theatre's work across the decades.

We send our great love and condolences to her friends and family, and we will pass on / publish here the funeral / memorial details when these are known.

A few of the tributes received are posted below, and will be updated over time.

***

Sad news indeed. Jan, along with her husband Mike, have given many decades of devotion and hard work to the Norwich theatre scene. Daughter Miche continues the family tradition as actor, director, writer and a devoted inspiration to the world of theatre. Our thoughts go out to her and all the family. David

I came to the theatre world late in the day and Jan, along with Mike, were two of the people who made me so welcome at the Sewell Barn, always a warm, friendly theatre with a wonderful ambience, thanks to people like her. Our thoughts are with you, Miche. Terry

Very sad to hear this. I'll remember many happy hours spent drinking tea in the costume dept of the Maddermarket. A lovely woman. Robin

Such sad news. Jan was always ready with a warm welcome and up for some mischief and fun too. I’m sorry to hear of her passing, and I send lots of love to Miche, knowing all too well the struggles that dementia brings. Rest well Jan. xx Tracie

I’m so sorry to hear this! I have so many magical memories with Jan and will hold them dearly in my heart! My love to Miche and family. My thoughts and my love are with you all. x Ruth

I am very sorry to hear this. Jan was a very kind, warm and inclusive person. She gave me my first experience of amateur theatre, playing Pierre in the Boyfriend way back in 1981. I was painfully shy and she was inspirational and truly encouraging. RIP Jan. Jonny

Very sad to hear this sad news. She was so supportive and friendly in my time at the barn. Condolences to Miche and her family. Trudie

The House of Bernarda Alba

by Federico Garcia Lorca, translation by Jo Clifford | Directed by Sabrina Poole
9–11, 15-18 October 2025

“If you are a woman, you are punished just by being born.”

Bernarda Alba’s husband is dead. Now she and her daughters must complete eight years of mourning. Confined physically and emotionally, they must spend their days in regimented fashion. But trapped within the walls, buried tensions and secret desires fight their way to the surface and even the strongest of locks cannot hold back the tragedy beating at the doors.

The last of Lorca’s classics, written only months before his murder, is a disturbingly relevant story of the shattering effects of emotional repression.

Photography: Sean Owen of Reflective Arts Photography

"Another great achievement for the Sewell Barn Company. You all pulled off a powerful performance of a demanding piece of theatre and credit should go to the Sewell Barn Company for pushing the boundaries and being unpredictable in their choice of productions. One of the most impressive aspects of the performance is the way in which you all manage to create an atmosphere of tension in a small space with a simple set. You all do this through your engagement with your characters and the relationships you build with one another. It’s tight, gripping and moody. The simplicity of the production contrasts with the depth of meaning in the play. I liked the use of the table as the centrepiece (and the way it was lit) and the choreographed table-setting worked well, symbolically and as an interlude. Well done to you all! I thoroughly enjoyed it." Denise

"Sally Krykant is a devastating force as the tyrannical matriarch, Bernarda, who dominates the stage every time she enters.... The most nuanced and compelling performance of the evening comes from Jan Farrar as the long-serving housekeeper, Poncia. Farrar brings great range to this pivotal character... This is an excellent production that powerfully stages the inevitable explosion of repression and generational trauma. It is a compelling play - and the irony that even without a single man on stage, the consequences of the patriarch still claims the final, painful victory." April Nash, East Anglian Theatre Podcast [click here for full review]

"...very good theatre and created a sense of claustrophobia. How small worlds can oppress. Visually impactful. Do go." Jonathan

"With an all female cast, this is a superb and beautifully written play exploring themes of repression, passion, conformity and the effects of men upon women. Wonderful set, staging and direction by Sabrina Poole and some fine performances made for a great evening of theatre!" Alison

"Our students were very impressed with the production of The House of Bernarda Alba. Our first lesson back we had an in-depth discussion on the interpretation of the play, and they all said how much it had helped them with providing a visual and helping them to understand the characters are the storyline. Also, we all agree that the theatre is wonderful!" Wymondham College

"Lorca's The House of Bernarda Alba is a stark, cruel play depicting the repressed lives of rural Spanish women only one hundred years ago. This is evident as soon as you enter the Sewell Barn Theatre space - white walls and furniture contrast with the black costumes of the women as they exist from day to day. This group of actors works brilliantly together, building the hatred and the fear throughout.  The whole production is tightly directed by Sabrina Poole who also created the fantastic technical effects - lighting, projections and sound all working to enhance the atmosphere." Clare Williamson, FOH Manager and previous Artistic Director

Charley's Aunt

by Brandon Thomas | directed by Cassie Tillett
10-12, 16-19 July 2025 7.30pm | Matinée 19 July 2025 2.30pm

Photography: Andrew Evans

Two Oxford undergraduates are in love with two lovely young women. The men need a chaperone in order to spend time with their ladies, and Charley’s aunt – whom he has never before met – is conveniently due to visit. When plans are thwarted by the aunt’s sudden delay, alternative plans must be made...

***

"Great to come and see you treading the boards last night. I thought it was bloody brilliant. The energy and comic timing was spot on. As for your imposter his facial expressions and mannerisms just made it. Please congratulate everyone - one of the best ‘amateur’ productions I have seen and there was absolutely nothing amateur about last night - totally professional." Jose

"Hilarious, fantastic production, shame it's not going on longer, would have come and seen it again I enjoyed it so much! Massive congratulations to all the cast , the director and everyone in the background for a very professional 'Charley's Aunt'." Jo

"... You might fall off your chair laughing as joke after joke is poured out with some great slapstick from Charley and Jack...  I hope we will see some of the younger cast members spreading their wings into professional production, they really are very capable. In this performance nothing seems dated and the costumes are beautiful... This cast add so much to the script. They are confident and have perfect timing in a fast moving play. If you can find a ticket make sure you don’t miss this terrific show." Julian Swainson - Norwich Eye [click here for full review]

"An absolutely fantastic show! Talk about 'going with a bang!' SO much energy. You should all be very proud!" Robin

"It was a fantastic show, so full of energy and joy, very professional. We had a great evening and look forward to the next production." Jenny

"A first class show, brilliant cast, wonderful set and amazing costumes, it takes a lot to make me laugh out loud but this show had me in stitches! I wish I could see it again! Really well done to everyone." Vanessa

"I just wanted to congratulate you on Charley’s Aunt. I saw the production last week and thoroughly enjoyed it. Very funny and the set amazing! The show I went to was a sell out, rightfully so." Lauren

"It was brilliant – we loved it!" Sarah

"We greatly enjoyed the show; congratulations to you and to all involved - if we were locals we would definitely be along to most shows! It is a lovely venue." Stephen

"I saw it twice, and it was a fabulously funny and brilliant play. Excellent cast and the comedic timing was perfect." Stephy

"Thank you for a lovely escapist afternoon. I've never been a huge farce fan, but it was great to just be carried away by a ridiculous story, and acted perfectly OTT! You must be pleased to have a sell out audience who obviously enjoyed it as much as I did." Jenny

"Last night, I took the pleasurable solo opportunity of watching Rachel Carney totally smash her role as Amy in ‘Charley’s Aunt’. Overall, I witnessed a most entertaining, physical and totally enthralling theatre experience, which had the audience in stitches! Every humorous opportunity was grabbed with both hands by the whole cast, which shows a skilled director was at the helm!" Keri

"Great fun and a very slick performance. Really enjoyed it.  I thought it was a really strong cast. I last saw the play 56 years ago." Neighbour of cast member

"Brilliantly funny performances from a fantastic cast. We loved it!" Becky

"Some famous person must once have stated that a good farce succeeds when none of its participants are individually farcical.  Nor, I think, should the premise of its plot be too ridiculous.  Last Friday evening, I watched ten totally believable people getting themselves into and out of various more or less plausible troubles, and the effect was hilarious.  The action ranged from the zany to the very moving, with a lot[!] of calories burned in between... To keep a measure of control over these exuberant actors in the rehearsal process, and to train them up to the mark in the required precision and slickness, is a feat in itself, and  I have to say that Cassie Tillett the director, with her extensive and varied experience ... has again, like Daisy, pulled it off gloriously to reveal these visual delights and warm excitements for our indulgence and enjoyment." Rob

"If you're looking for hidden depth, you needn't bother. It's simply a sweet, riotously funny play that shows the daft things that people in love do. And it was charmingly brought to life with great aplomb by Director Cassie Tillett and her talented company." Ray Tempesta - East Anglian Theatre Podcast [click here for full review]

"What a fun and laughter filled evening!! Charley’s Aunt at the Sewell Barn Theatre is absolutely everything a farce should be. Energy and pace is critical in such a piece and it was pitch perfect from the moment the lights went up. There are some wonderful performances led confidently and brilliantly by the three main protagonists Jack, Charley and Fanny Babbs. It is hilarious, it is physical (Cassie Tillett’s direction choreographs the actors around the stage wonderfully ) and it is a rip-roaring joy! I came away with my heart lifted and my face aching so that should tell you everything. Tickets are flying out of the box office (I believe some performances are already sold out) so grab one while you can! Congratulations all!" Alison

"[The plot] provides hours of laughter, confidently directed by Cassie Tillett, who leads the cast into brilliant physical comedy set-pieces within minutes of being on stage. Indeed, special credit for this must go to Jeremiah Humphreys-Piercy, Jamie Radcliffe and Barney Matley (playing Jack, Charley and Fanny Babbs respectively) for their enormous physical energy and sense of mischief as the only characters fully aware of the ruse. In fact, the whole cast make use of any moment to create comedy, even down to the character of Brassett, Chesney's straight-talking butler, getting drawn into the boys' shenanigans." Niamh Duncan - UK Theatre Network [click here for full review]

"What a great performance, Cassie, honestly one of the funniest and most engaging I’ve ever seen at the Barn!  The camera struggled to keep pace with the action but I think I’ve got some good ones…" Andrew, our photographer, after taking our dress rehearsal photographs

"A funny, foolish, fast-paced piece; a little midsummer night’s dream." James Goffin - Cultivated [click here for full review]

"This is a fabulous production. Lots of fun and a very talented cast. Go see if while you can!" Jane

Our usual audience feedback board was completely full by the end of the first half of the run, so we took a photograph, erased it and started again!

Foxfinder

by Dawn King | directed by Stephen Keyworth

29-31 May and 4-7 June 7:30pm | matinee on 7 June 2:30pm

Photography: Barry Parsons

 "What a deliciously dark story, full of portent, symbols and fears. Stunning, shocking and strong. Congratulations to all involved with this both on and back stage. Utterly memorable." Zanna

"Probably the greatest tribute I can pay to Foxfinder is that I can't get it out of my mind today after watching the matinee yesterday!!" Robin

"This was a truly excellent production! Congratulations to everyone involved. Still thinking about it…" Shelagh

"All four cast members bring stellar performances to this production, bringing the emotional depth that exists in a world where belief is everything...  If you want an evening of brilliantly written and thought provokingly eerie drama I would highly recommend catching this play at the Barn while you still can." Niamh Duncan - UK Theatre Network [click here for full review]

"Saw the most fantastic production of Foxfinder at the Sewell Barn Theatre this week. A gripping dystopian tale with haunting relevance to this day and age. Stellar performances from the cast and such a brilliant atmosphere created in the room. Not one to miss if you get the chance! Cannot recommend this more!" Jeremiah

"A strange and disturbing dystopian world unfurls in this gripping and unsettling thriller... It is a captivating two hours." James Goffin - Cultivated [click here for full review]

"Brilliant. A fantastic evening. So very well performed. Suspenseful and dark. Fabulous." Lolly

"A palpable tension binds the cast in an overall flawless performance." Ray Tempesta - East Anglian Theatre Podcast [click here for full review]

"...it is a powerfully presented drama that raises important questions. If you like dense, dark and tense thrillers you will enjoy this, if you are already convinced that the world gets ever more grim day by day this will not improve your mood. Yet however bad the daily newsreels are, we can rely on one constant bonus in life: Sewell Barn Theatre always pull out all the stops to give us the very best version of the plays they present in their atmospheric building." Julian Swainson - Norwich Eye [click here for full review]

Design for Living

by Noel Coward | directed by Clare Howard

10-12 and 16-19 April at 7.30pm | 2.30pm matinee on Saturday 19 April

Photography: Sean Owen of Reflective Arts Photography

"Noel Coward’s “three sided erotic hotch potch” sparkles from start to finish in this gloriously funny production... The interactions between Gilda, Otto, Leo, and Ernest, are a network of creative inspirations and frictions that spur them all on in different ways, a recognition that connections between people can take many different forms. This Sewell Barn production brings them swirling and somersaulting on to the stage with panache." James Goffin, Cultivated [click here for full review]

"Design For Living - a glittering diamond of a play! Feel proud Clare Howard and cast - feel very proud! Like a diamond this glittering production had many facets - the sets, the costumes, the acting - all honed and perfect! I hated the people - hated the way they treated Ernest - hated the sharp self destructive nature of the trio! And what a trio! Superb sharp playing chaps! The acerbic Mrs Hodges - just wonderful Zanna Foley - Davis! But at the centre of it all - Gilda! - Hollie Harrington-Ball this was your play!" Robin S

"Congratulations, Clare, Hollie and the full company of Design for Living. Coward is notoriously difficult to do well, however, you pulled it off brilliantly! Hollie - Your performance was a triumph, a real tour de force!" Robin W

"Just back from yet another wonderful evening at @sewellbarn theatre. Noel Coward’s Design For Living is one of his deeper and more difficult plays and it is brought to life brilliantly in this production.  Sparkling, fast paced dialogue, obviously witty and acerbic, but also sometimes touching and intimate is handled effortlessly by a hugely talented cast.  The timing is perfect and the whole thing looks utterly beautiful and stylish!  It’s on a short break now but resumes again next week. Get yourselves tickets while you can!!" Alison

"Do see it. Sharp, challenging, witty and poignant; Noël Coward's bohemian ménage à trois are rooted in a 1930s world of privilege but their ideas sound very modern. Congratulations to all!" David

"Loved this performance from start to finish, witty, pacy, and entertaining. Congratulations to all." Jamie

"Saw the play last night, absolutely brilliant!" Sue

"Sewell Barn have given us a stimulating, even sexy, production of what must be considered one of Coward’s more difficult plays. The interactions between the three in the triangle of passion are very convincing and beautifully played and they are well supported by the other members of the ten strong cast. I am sure this will be a popular drama so I recommend that you get your tickets now – take your lover, or if you are lucky, both of them!" Julian Swainson, Norwich Eye [click here for full review]

"Absolutely superb opening night! Loved it." Jane

"These three difficult roles [Gilda, Otto and Leo] are played with aplomb by Hollie Harrington, Alex Tiller and Lewis Garvey. Garvey's Leo and Tiller's Otto are alternatingly hilarious as they quaff brandy, and heart-breaking as they lose the affections of Gilda. The excellent physicality and comic timing of these two actors brilliantly hints at the homoeroticism heavily implicit in the text... Harrington's Gilda meanwhile grapples with the challenges of being a 'modern girl', both expected to marry and have babies, while desperate to live out a passionate life to the full. It is a testament to Harrington that she manages to explore this fully without allowing the evening to tip into tragedy... The supporting cast also add greatly to the comedy, whether that is displaying the bickering of the young married Carvers or the fastidiousness of the bachelor art dealer Ernest. Particular credit must be given to Zanna Foley-Davies for her performance as Miss Hodge, Leo's cleaner. Her incredible comic timing greatly added to the central act of the play." Niamh Duncan, UK Theatre Network [click here for full review]

"Excellent performances, well done the whole team." Jonathan

"Again, as with the recent production of The Clearing, some absolutely outstanding performances here. A great night in the theatre." Matthew 

***

Tickets www.ticketsource.co.uk/sewellbarn / phone 0333 6663366

Contains adult themes

The Clearing

by Helen Edmundson | directed by Chris Bealey
27 February–1 March and and 5–8 March at 7.30pm
2.30pm matinee on Saturday 8 March

Contains adult themes and some use of theatrical haze.
Please note: we will have a collection for Refugee Action at every performance.

Tickets www.ticketsource.co.uk/sewellbarn, or by phone 0333 6663366.

Photography: Grant Barker

Ireland, 1652. Robert and Madeleine Preston welcome their first child into the world. But their happy world is about to come under threat when news reaches them of trouble brewing from across the sea - Cromwell has a plan for Ireland. A deeply emotive and profound piece, originally performed in 1993, it remains grimly relevant to our current times.

*

"The acting as ever in this delightful theatre is of the highest standard, and good use is made of the versatile performance space in this intimate venue... With a capable cast and a powerful story this is a perfect evening of theatre in Norwich, just the thing to banish the winter blues and send you home inspired to be a better person." Julian Swainson - Norwich Eye [click here for full review]

"At the weekend we went to see The Sewell Barn Theatre Company's excellent production of The Clearing by Helen Edmundson. My dear friend Chris Bealey directed and played in this superb show. It was taut, highly focussed and superbly characterised. The set, also by Chris, was a brilliantly crafted image of change and struggle. Norwich is blessed with some remarkable theatres, The Sewell Barn being just one. A treat." Graham

"The Clearing matinee today. My god, this was really something! Absolutely gripping from beginning to end. Cast, set and effects superb. This wasn't just a play - this was an experience!" Robin

"It was an incredibly emotive performance. I'm in awe of everyone. The performers, direction, set are all superb. Huge congratulations to everyone involved!" Jane

"Congratulations on a superb performance [of The Clearing]. It was so powerful and well presented and still relevant today." Maureen 

"What an evening of excellence. The Clearing at the Sewell Barn is an exceptional piece of writing, stunningly staged with some of the best performances I think I've ever seen in this wonderful space. There are two more chances to se this. Run, don't walk." Alison

"Blimeeeey - The Clearing! What a show! Everything about it was pitch perfect - the acting, the lighting, the set, the music... *chef's kiss*" Hollie

"What a phenomenal play. What a beautiful stage design. What a powerful cast. How frighteningly relevant." Hans

"Highly recommended! Powerful and thought-provoking … the time just whizzed by. The cast was great, the set is intriguing and I particularly enjoyed the Irish accents and beautiful singing." Shelagh

"Belated thanks and congratulations to The Clearing team. Distressing history of course, plus the kind of vivid character exposure that occurs only in good live theatre. One to remember." David

"Brilliant performances by John Davis and Hannah Jones... The whole cast gave excellent performances, from David McCabe's brooding Pierce, to Jo Parker-Sessions 'sweet strange' Killaine, to the gorgeous work by the two musicians. In many ways what stood out most were the powerful moments of ensemble movement and music, proof of both a cohesive company of performers and a strong directorial vision from Chris Bealey." Niamh Duncan - UK Theatre Network [click here for full review]

"[A] brilliant production with superb acting (and singing) across the piece. I was moved to tears by the end. Very moving and alarmingly relevant. Phil's signature floor painting stole the set once again! You must all be so proud of this year’s programme so far this year - absolutely fabulous!" Shelagh

"Just a stunning play, watch it if you can!!" Sue

"Superb performance last night of The Clearing. The two leads & 'Susannah' in particular gave intense yet credible portrayals worthy of a play with things to say both then & now.  Congratulations to all involved in the production". Instagram: @mabqc

"The fortunes of a young couple and two nations are cruelly bound together in this evocative historical drama... Hannah Jones particularly brings it alive with an emotionally rich and impressively nuanced performance." James Goffin, Cultivated [click here for full review]

"The long and complex history of the Irish question is not easily explained but, watching The Clearing last night at the Sewell Barn Theatre enhanced my understanding of the tragedy created over so many years. Chris Bealey and his fine team of creatives have produced a moving piece of theatre which, although set in the 17th century, resonates all too painfully with our current world situation. This is communicated beautifully by a polished ensemble, underscored with spare but powerful singing. Congratulations to all!" Clare Williamson [Sewell Barn FOH Manager]

"This show is moving, relevant and beautifully produced." Julian Swainson

Richard II

 by William Shakespeare | directed by Sabrina Poole

16-18 and 22-25 January

“The children yet unborn shall feel this day as sharp to them as thorn.”

In order to silence a dispute before it turns bloody, King Richard banishes his cousin Henry Bolingbroke from England’s shores. But in his absence, Richard sees an opportunity and seizes his cousin’s lands to finance his costly wars. Angered, Bolingbroke breaks his exile and returns seeking justice. As Richard’s rule becomes increasingly unstable, Bolingbroke’s actions set in motion a series of violent events that will change the future of England forever.

A timeless story of corruption and power, and the complexities of loyalty in the face of a flawed ruler.

Photography: Sean Owen of Reflective Arts

"Sometimes the stars just align beautifully. An exceptional set of actors, the richest of texts, and a Director whose positive influence and clear vision is obvious. This production of Richard II is one of those instances... With such compelling drama and an awesomely powerful portrayal, Richard II at the Sewell Barn Theatre is simply one not to be missed." Ray Tempesta - East Anglian Theatre Podcast [click here for full review]

"I just had to pen you a missive on this one. Full house last night and the performance was astounding. Just to enter the auditorium took one’s breath away. The set / lighting was so imposing and the soundscape really effective. And that’s all before the acting! Some great character acting - loved John of Gaunt and Bolingbroke as well as York, Duchess of Gloucester…. and more. BUT Richard was stunning from beginning to end and can’t get him out of my head. At times he reminded me of Elon Musk - powerful, arrogant, vulnerable and petulant. A complete capture of the changing mood, tone, and fundamental isolation of a young king. Bravo to the Barn! It was brilliant! What a tale for our times! I want to see it again!" Shelagh

" [The] Sewell Barn Theatre are known to like a challenge and they have taken this lesser known script and made an absolute belter of a production.... Director Sabrina Poole has picked a cast who bring well defined character to build on Shakespeare’s script and add interest to an already gripping drama. Jez Pike is mesmerising as Richard, with a stary eyed intensity that reminded me of a host of performers from Graham Norton to Emo Philips managing to be both frighteningly megalomaniac and pathetically vulnerable almost in the same breath. His is a landmark performance... The Sewell Barn Company have crafted a superb production of this lesser known Shakespeare play and I am grateful that they have introduced me to it in such great style." Julian Swainson, Norwich Eye [click here for full review]

"I saw it last night and was really looking forward to seeing a play that I absolutely love. What a brilliant production with all round good performances. The lighting and sound were used to great effect on a striking set.  The production uses all available spaces really effectively.  Stand out performance from Richard II, wonderful direction; go and see it." Trudy

"Just back from Richard II at the Sewell Barn Theatre and highly recommend that you see it if you can. The storytelling is superb, and the cast bring great clarity to the narrative; the production values are outstanding and the many fight scenes exciting! It whizzes along and I was totally absorbed. Many congratulations to director Sabrina Poole and her whole team." Clare

"Before watching this performance Richard II probably wouldn't have even cleared my top five, but this well-wrought production has made me reconsider my rankings.... this was a very powerful production which made me evaluate the play with new eyes." Niamh Duncan - UK Theatre Network [click here for full review]

"Congrats to all involved in Richard II which we really enjoyed last night. Particularly impressed with the clear line delivery by all. Also impressed with the music used ... It was good to meet up with Ruby who I’ve worked with before and what a great performance from her - such a highly competent actor." David

"A fantastic production and great performances from the actors." Julian

"Saw the opening night of Richard II at the Sewell Barn Theatre on Thursday and I have to admit to reading a wiki synopsis beforehand as I didn't know the play and was braced for a confusing history lesson. I needn't have worried. In director Sabrina Poole's capable hands the storytelling was clear and the narrative had a terrific energy throughout. The cast of 18 worked with precision as an ensemble with great timing and choreography, enhanced by powerful sound and lighting to create an edge of the seat drama. And it was great to see proper sword fighting, swishy cloaks and gloves being flung down as challenges in every direction! Well done to Sab and her team - they deserve a few days off before the play opens again for 5 more performances next week Wed - Sat. Get your tickets now!" Clare Williamson, Sewell Barn FOH Manager

"[Jez] Pike is a haughty, cruel, and slightly manic monarch and roams the Sewell Barn’s intimate stage with assurance... This is a rare chance to catch one of Shakespeare’s lesser performed plays, with plenty of unique quirks to challenge those more familiar with the piece." James Goffin, Cultivated [click here for full review]

"Go see it!! Not the greatest of fans of Shakespeare like me? Still go... you won't regret it... I didn't!" Ginny

The Lives of Bosie

by John Wolfson | directed by Selwyn Tillett

5-7 December 2024

Bosie – Lord Alfred Douglas – was Oscar Wilde’s young lover. His role in Wilde’s tragic downfall, instigated by his father the Marquess of Queensberry, is part of the legend. What then happened to Bosie is left out of most history books, yet is equally dramatic: he converted to Catholicism, vilified Wilde, and became a crusader against homosexuality as well as a savage contender in numerous court cases for libel.

We meet Lord Alfred in 1945. Close to death, he is confronted with a visitation from his younger self. They argue, criticise and unpick each other’s lives and reputations. It is a painful and darkly humorous analysis, based entirely on fact.

Photography: Barry Parsons

"I'd never been to your theatre before and it was a real delight. The front of house staff were all charming and very welcoming. And the theatre itself is just wonderful. I was also extremely impressed by the play. Firstly, the staging was a brilliant use of the space, I thought. And the performances of the three actors were absolutely first-rate. I find it hard to believe you're an amateur company. It's invidious to single out any of the actors for special praise, but if anybody forced me to do so I would like to pay tribute to the young actor who played Bosie. That was an absolute tour de force and I would say he would have a very bright future as a professional actor. Thanks again. I hope to be back." Nick

"Overall this was an impressive theatrical experience and I suspect it could have filled the theatre for many more performances than the handful offered. It is a production that I could see doing very well in other venues although I can understand that the Sewell Barn crew are an experienced team who make the very best use of their atmospheric venue and may not wish to spread their wings too far. The closeness of the audience to the performers in the Barn gives an intimacy which helps us to believe the basic premise of this bold play. A triumph for the writer, director and actors and all who helped them to make it happen." Julian Swainson, Norwich Eye [click here for full review]

"Marvellous night last night. This small cast kept the audience rapt throughout the play. It was both entertaining and instructive. If you are interested in Oscar Wilde or in the LGBTQ+ community you must see this play and these talented performers." John

"Your UK premiere of Bosie gave us a very enjoyable evening. You did well to manage a very demanding text and construct, pulling it .off with style and panache. Excellent performances and memorable scenes - Jonathan giving a master class in cameo performances! Well done to you all." Shelagh & Alan

"Director Selwyn Tillett got his choice of protagonists absolutely spot-on, with each of the three performers commanding attention throughout, and delivering performances brimming with a delightful deftness.  The production is notable for being the premiere on UK soil for the play (and also an impressive directorial debut for Selwyn Tillett), so it was well worth checking out for that reason alone, however, coupled with some powerhouse performances from three fine actors, and its very short run, it makes it an absolute must-see. Catch it while you can." Ray Tempesta - East Anglian Theatre Podcast

"It was brilliant!" Etta

"Massive congratulations to Selwyn and the whole cast & crew. We were utterly transfixed & absorbed!" Sarah

"Brilliant, very powerful." Ruth

"Thank you for a very memorable and enjoyable performance yesterday. I was blown away by it. Excellent acting, perfect casting and you must be so pleased that you had the chance to direct such a personal play. How they manage to remember such vast amounts of dialogue, and deliver it with such pace and conviction, leaves me in awe. It certainly bore out the adage that those who veer towards such thoughts and feelings, condemn the most vehemently and it didn't do the church any favours in light of recent events did it? I hope you were duly proud of directing the English premiere and it will now get much more airing. Lovely to have the reference to Weston Longville too!!" Jenny [Email to director]

***

We have been delighted to receive a late review from Sean Titley of the Oscar Wilde Society, as published in their magazine Intentions:

"The Lives of Bosie is a quite wonderful piece of drama. It offers comedy, longing, the devil of memory and the impossibility of re-writing the past. The Sewell Barn production utilised a minimalist set, comprising little more than a writing desk, a sofa, a table and a few scattered magazines (including The Spirit Lamp) thus concentrating attention on performance. 

Jeremiah Humphreys-Piercy played the younger self of Bosie with a wicked turn of eye. He captured the egotism and narcissism, the later vulnerability, and the continued self-absorption of the character to perfection. He had a worthy foil in Rob Fradley-Wilde’s aging Lord Alfred who added just the right amount of gravitas and tortured despair at the behaviour of his younger self.

Rounding off a first-rate cast, Jonathan Cooke played the difficult multiple roles of Memory – presumably it was no easy task to portray Bosie’s wife Olive and Oscar Wilde within moments of each other. He accomplished it splendidly.

Congratulations must also go to the excellent direction of Selwyn Tillett. A friend of the playwright for fifty years and suitably attired with a green carnation buttonhole, he welcomed his Norwich audience with aplomb and style."

After Electra

by April de Angelis | directed by Clare Williamson

21-23, 27-30 November 7.30pm. Matinée 30 November 2.30pm

It’s Virgie’s 84th birthday and she’s come to a momentous decision. Never one to toe the line, she is determined to announce her wishes as her family and friends gather to celebrate her special day. However, Virgie has always been more committed to art than motherhood and she has not reckoned on her guests’ determination to thwart her highly unusual birthday plans.

A thought provoking and scabrously funny black comedy that pulls no punches, exploring family relationships and the impact of past decisions on future lives.

Photography: Andrew Evans

"I would highly recommend this play to any fans of art history, or dark comedy, or simply anyone who wants a deeply thought provoking while also viciously funny evening." Niamh Duncan, UK Theatre Network [click here for full review]

"While the subject matter could be seen as difficult the play is not; it has lots of humour and some great one liners and is delivered with zest and enthusiasm by this talented ensemble. A play to enjoy and then talk about for many days to come." Julian Swainson, Norwich Eye [click here for full review]

"Susan Newstead as Virgie drives the action with a remarkable performance: waspish, caustic, and cruel as she debates with her daughter Haydn (Mandy Kiley); then by turns subtle and subdued, and heart-achingly passionate, as the plot progresses. It is a captivating watch." James Goffin, Cultivated [click here for full review]

[Comment on the previous review] "Great review. Although it grates a bit to read that John and Sarah ‘complete the cast’. They do so much more than that. They bring a really important counterpoint to the other relationships and both actors brought this out beautifully. Well done. A really pleasurable night of theatre for me." Laura

"Just been to see a performance this afternoon. It was excellent. All the actors were very good and although a tricky subject, the play dealt with the emotions involved very well. Thank you to all the cast, production and front of house." Sarah

"This was so good. I was really moved by the issues and the absolute sincerity of the cast and their performances. Virgie almost had me in tears. Thank you to everyone including the backstage team for a memorable evening." John

"Very much enjoyed the play last night - the themes are very bleak [and timely!] but there is great wit and humanity. Great work across the team - everyone in the cast 'has their moment' - and there was a lovely stage and tech design. Well done all!!" Richard

"Thoroughly enjoyed this last night, excellent performances from all the cast. The story was thought provoking, emotional and often very funny. Well done to everyone involved." Katie

"I thought it was brilliant. The character portrayals, the set, clothing etc. it raised interesting thoughts on people, choices and communication and was very funny." Rae

"I just wanted to say how fantastic I thought the play was this evening.   I thoroughly enjoyed myself." Chrissy

"Truly excellent performances by everyone... In fact, it was an exceptional play. We both really enjoyed it, very well done to everyone involved." Viv

"We saw this fantastic play last night. Beautifully written and performed by an excellent cast... don't miss this one!" Lucille

"A deep, funny and heart rending exploration of the tension between being an artist and being a parent- strangely something only women are continually confronting! There’s also the very topical issue of the right to take your own life and its impact on those close to you. In a way the whole play is about whether you have the right to live your own life. It’s well performed by a strong cast. Do go and see it." Helen

"Congratulations to the whole team! Very enjoyable and thought-provoking." Robin

"Really good watch, thought-provoking , funny, emotional, with outstanding performances all round." Jamie

Contains strong language and adult themes.

Tickets www.ticketsource.co.uk/sewellbarn, or by phone 0333 6663366.