Posts

Showing posts from 2018

Handbagged

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The opening show of our 2018/19 season brings back the work of the splendid Moira Buffini (Dinner, played in April 2018), and the first half of the run has played to great acclaim.

This witty and intelligent Olivier-winning play imagines what may have happened in the weekly meetings between the Queen and Margaret Thatcher from 1979 to 1990. There were rumours that they did not see eye to eye, and this titanic struggle between two women of different backgrounds but of similar ages – both shaped by fathers they adored – is fascinating and moving. Major events of the period are explored, with two queens and two Thatchers disputing what occurred whilst two male actors multi-role a range of key players as varied as Ronald Reagan and Arthur Scargill to create a sharp satirical comedy.


"Congratulations on another very fine production which I enjoyed immensely last night. You have set the bar high again and the show will be a hard act to follow! The standard of acting was exemplary too. …

Tomfoolery

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Our final production of the 2017/18 season was a scurrilous, hilarious, joyful delight.


Here are some of the audience reactions.

"I had the most fabulous evening last night at Tomfoolery, Sewell Barn Theatre. It has to be one of the most slick amateur productions I've ever seen - every line milked and polished to the utmost. I didn't stop grinning all night. Thanks Malcolm Robinson for making sure I got there and to Cassie, Selwyn, Angela and everyone else for ultimate sublimity." Clare H

"What a hugely enjoyable evening - Tomfoolery! Well done to everyone for such a slick, energetic and totally excellent presentation of Tom Lehrer's wildly funny work! Is there some way you can put it on again, perhaps at Christmas, as a one-off? It should be given another airing!" Frances M

"Just been to see Tomfoolery at Sewell Barn Theatre... two words... Bloody Brilliant!! Cassie, could you please say thank you & well done to ALL cast & crew from me ple…

A Month of Sundays

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On the first Sunday of every month, John Cooper’s daughter and son-in-law come to see him. The visits are seldom a success. Cooper’s conversation tends towards jokes about ageing and senility, their talk revolves around their challenging journey. The grandson has stopped visiting.


This gentle, observant, hilarious, poignant play, from the pen of Bob Larbey (The Good Life, A Fine Romance) has been delighting audiences during the first few performances. Here are some very good reasons to come along and see for yourself.

Tickets are available from St George's Music Shop, in person or by phone, or online from Ticketsource. Click here for full details.

"One of the best plays I’ve ever seen. The writing, direction, storyline and acting terrific. I cried." James T

"Fantastic play!! Every element was stunning...acting, set, light and sound, the writing... flawless. Would heartily recommend!" Verity R

"Just been to see a Month of Sundays at Sewell Barn theatre. A b…

New season 2018-19

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Full details will be posted on our website very soon, together with audition notes, but in the meantime, here is a brief precis of the 2018-19 season at the Sewell Barn.

11-20 October 2018
Handbagged by Moira Buffini
Dir: Clare Williamson

22 November-01 December 2018
Not About Heroes by Stephen MacDonald
Dir: Rob Tiffen

10-19 January 2019
These Shining Lives by Melanie Marnich
Dir: Jess Hutchings

21 February-02 March 2019
Confusions by Alan Ayckbourn
Dir: Angela Rowe

28 March 2019-06 April 2019
Faustus by Christopher Marlowe
Dir: Chris Bealey

02-11 May 2019
The Children by Lucy Kirkwood
Dir: Peter Wood

06-15 June 2019
Yerma by Federico Garcia Lorca
Dir: Phillip Rowe

11-20 July 2019
Waiting in the Wings by Noel Coward
Dir: Cassie Tillett

In addition, we are delighted to host two special evenings 'for one night only':

25 October 2018
Broad Horizons Theatre Company presents
Rebellious Sisterhood - Votes for Women

9 March 2019
Paddle Fast presents
Music at the Barn

We hope you agree that i…

Romeo and Juliet

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As the director of this show, Carole Lovett, has said in our programme: "It has been estimated that at any moment of any day somewhere on our planet a performance of will be taking place. This popularity and the seeming familiarity that everyone has with the characters and the plot is a two-edged sword. On the one hand it evokes a very positive response from the general public, but on the other hand, how does any new interpretation keep the story fresh and new?"

Our production sets the iconic tragedy in the present day. Lord Capulet and Lady Montague are rival political candidates. The weapons are not swords but fists and knives. And (as Carole goes on to say), "The tragedy of the human existence is not dependant on historical context and we all have a lot to learn from Shakespeare's study of how precious and fragile are the younger members of our society and of how they should never be ignored or taken for granted. We should always listen and we should always care.…

Dinner

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Dinner parties can delight and entertain; they can also cruelly humiliate and end in tears. Moira Buffini’s deliciously bad-taste comedy Dinner does both, mixing familiar and unfamiliar ingredients to create startlingly original drama - exploring the frustrated lives of the rich and apparently successful, whilst creating recipes that are “definitely not the kind of thing you find in Delia Smith”. On a night of thick fog, the fabulously elegant Paige is throwing a celebratory dinner in honour of her husband, Lars, and his best-selling pop psychology book ‘Beyond Belief’. She has been preparing the menu for months: ‘Primordial Soup’, ‘Apocalypse of Lobster’ and for dessert ‘Frozen Waste’. She’s even employed a professional waiter especially for the occasion…

The reviews of this cracking black comedy started to arrive as soon as the bows had been taken after the first performance. This show contains strong language and adult themes, and is not for the faint-hearted; but if you like your …

The Killing of Sister George

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Frank Marcus' iconic 1964 play is a wonderful combination of broad comedy, deep pathos, vicious relationship manipulation and pastiche.

Four highly skilled performers create the world in the flat of June Buckridge, who plays the beloved Sister George in the radio soap Applehurst (a thinly-disguised reflection of The Archers). Ironically, at the time of writing (25th February) the latter show has just dramatically killed off a much-loved character - a case of art imitating art?!

We have been delighted with audience reactions to the first three performances; do come and see what it's all about as it continues between 28 February and 3 March.

"[We] would just like to say how much we enjoyed the production last night. The performances were exemplary in a play that was beautifully paced and subtly nuanced and I, for one, was left wondering why there hasn't been a professional revival in recent times. It would be difficult to single out one actor for especial praise but I t…

Blood and Ice

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It's 200 years ago this month (January 2018) that Mary Shelley's iconic novel was published, and we're delighted to be celebrating this milestone with Liz Lochhead's dark, powerful play about Mary and her world.

We were especially pleased to be given a double-page spread of advance publicity in the Eastern Daily Press about the show, and you can read the online version here.

The show has been greeted with great enthusiasm, and here are some of the reviews...

"Went to see Blood & Ice at Sewell Barn last night (17th Jan) and it was fantastic. Such a strong show, actors were excellent, particularly the young lady who played Mary Shelley. She had so many lines and delivered them incredibly well. I thought it a very credible performance. Well done." Dawn T

"... tension is brilliantly maintained throughout, with the whole space of the theatre used for action above, below and around us..." Charlotte Valori (click here to read the whole review)

"I …